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  1. en.wikipedia.org › wiki › Pepper_AdamsPepper Adams - Wikipedia

    Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman.

  2. Pepper Adams (eigentlich Park Adams, * 8. Oktober 1930 in Highland Park, Michigan; † 10. September 1986 in New York) war ein US-amerikanischer Baritonsaxophonist des Hard Bop. Er pflegte im Gegensatz zu Gerry Mulligan eine harte, zupackende Spielweise und wurde deshalb von seinen Kollegen im Stan-Kenton -Orchester „The Knife ...

  3. 12. Dez. 2023 · Biography. Articles. News. Has Influenced. Pepper Adams was one of hard bop's most significant baritone saxophonists. His dark, hearty tone on the horn and driving rhythmic sense provided the antithesis to the lighter, floating (and consequently more popular) styles of Gerry Mulligan.

  4. Gary Carner has put together a wonderful online repository of knowledge for Pepper Adams. You can check it out at http://www.pepperadams.com! October 8, 1930 – September 10, 1986. Pepper Adams was one of the all-time great baritonists, ranking at the top with Harry Carney, Serge Chaloff and Gerry Mulligan.

  5. Pepper Adams.com : NEW! The long-awaited release of Joy Road Volume 6, Big Band Performances of 10 Pepper Adams Compositions • Welcome : NEW BOOK! • NEW! Musicians Discuss Adams • NEW! Adams Genealogy • Discography Updates • Rare Adams Performances • Adams Interviews • Transcriptions of Adams Solos • Audio from the 2012 Tour ...

  6. Pepper Adams Quartet - Live in Rome, Saint Louis Jazz Club, January 20, 1979 Pepper Adams (bariton sax) Franco D'Andrea (piano) Giovanni Tommaso (bass) Bruno Biriaco (drums) 01. 'Tis 0:00...

    • 87 Min.
    • 636
    • Roberto Ligi
  7. Adams’ blinding speed, penetrating timbre, immediately identifiable sound, harmonic ingenuity, precise articulation, confident time-feel, and use of melodic paraphrase, often for comedic effect, make him one of jazzs great Post-War stylists, a model to which all current baritone saxophonists aspire.