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American Primitivism, auch bekannt als American Primitive Guitar, ist ein Genre der Gitarrenmusik, initiiert von John Fahey in den späten 1950ern. Faheys Markenzeichen waren seine Avantgarde -/ Neoklassik -Kompositionen, gespielt im traditionellen Bluegrass - Fingerpicking -Stil.
American primitive guitar is a fingerstyle guitar music genre, developed by the American guitarist John Fahey in the late 1950s. While the term "American primitivism" has been used as a name for the genre, [1] American primitive guitar is distinct from the primitivism art movement.
- 1950s, United States
12. Feb. 2019 · In part Fahey, the Godfather of American primitivism, invented this raw, introspective form of folk- and blues-based solo-acoustic guitar music in response to what he saw as the pretentiousness of the folk revival. His music continues to astonish fans.
10. Okt. 2018 · Tompkins Square Records founder Josh Rosenthal has done more to keep the American primitive flame burning in the 21 st century than almost anyone. Pressed for the nuts and bolts of the sound, he calls it “a certain style of vernacular American music that’s informed by music from Appalachia and also from the Mississippi Delta ...
Deren Musik erweiterte Blues- und Country-Techniken zu einer ganz eigenen, avantgardistischen Kunstform, die selbst östliche Einflüsse aufgriff, um bei einer Art psychedelischem Folk zu landen ...
Traditional yet avant-garde, archaic but also modern, simple as well as complex—American Primitive Guitar is such a sublime unity of opposites that Heraclitus himself would’ve been a fan. Sprouting from the mercurial soul of bohemian, record collector, and fingerstyle genius John Fahey in the early ’60s, the movement generally revolves around solo guitarists molding scraps of country ...
AKA: American Primitive Guitar • 1,043 releases Blends avant-garde and neo-classical compositions with traditional Country Blues fingerpicking techniques. Read more American primitivism is a musical style originated by guitarist John Fahey in the late 1950s.
