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  1. Zoë Keating (* 2. Februar 1972 in Guelph, Kanada) ist eine US-amerikanische Cellistin und Komponistin aus San Francisco . Zoë Keating begann mit acht Jahren Cello zu spielen und besuchte das Sarah Lawrence College in New York.

  2. en.wikipedia.org › wiki › Zoë_KeatingZoë Keating - Wikipedia

    Zoë Clare Keating (born February 2, 1972) is a Canadian-American cellist and composer once based in San Francisco, California, now based in Vermont. [1] Music career. Keating performed from 2002 to 2006 as second chair cellist in the cello rock band Rasputina. She is featured on Amanda Palmer 's debut solo album, Who Killed Amanda Palmer .

  3. 24. Jan. 2024 · Website of the cellist and composer Zoë Keating. Includes information on different projects, images, show dates, and how to contact her.

  4. www.wikiwand.com › de › Zoë_KeatingZoë Keating - Wikiwand

    Zoë Keating (* 2. Februar 1972 in Guelph, Kanada) ist eine US-amerikanische Cellistin und Komponistin aus San Francisco. Zoë Keating, Pop!Tech 2009. Zoë Keating begann mit acht Jahren Cello zu spielen und besuchte das Sarah Lawrence College in New York.

  5. www.zoekeating.com › epk › zoekeating_bioZoe Keating: biography

    Zoë Keating - biography. Composer and performer Zoë Keating has spent the last 20 years exploring the landscape of sounds a string instrument can make. She coaxes sounds out of the very edges of her cello, adeptly layering them into “swoon inducing” (San Francisco Weekly) music that is unclassifiable yet “a distinctive mix of old and ...

  6. Composer and performer Zoë Keating has spent the last 20 years exploring the landscape of sounds a string instrument can make. She coaxes sounds out of the very edges of her cello, adeptly layering them into “swoon inducing” (San Francisco Weekly) music that is unclassifiable yet “a distinctive mix of old and new” (National Public ...

  7. Zoë Keating (born February 2, 1972) is a Canadian-born cellist and composer based in San Francisco, California.In her solo performances and recordings (particularly the ongoing project she calls "One Cello x 16"), she uses live electronic sampling and repetition in order to layer the sound of her cello, creating rhythmically dense musical ...