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Karl Pavlovich Bryullov, also Briullov or Briuloff, born Charles Bruleau [1] [2] ( Russian: Карл Па́влович Брюлло́в; 23 December [ O.S. 12 December] 1799 – 23 Jule [ O.S. 11 June] 1852) was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism .
Karl Pavlovitch Brioullov (en russe : Карл Павлович Брюллов ; ISO 9 : Karl Pavlovič Brûllov), appelé par ses amis « le grand Karl » (12 décembre 1799 (23 décembre dans le calendrier grégorien), Saint-Pétersbourg - 11 juin 1852 (23 juin dans le calendrier grégorien), Rome), est le premier peintre russe de ...
The Last Day of Pompeii is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79. It is notable for its positioning between Neoclassicism, the predominant style in Russia at the time, and Romanticism as increasingly practised in France.
Karl Pavlovich Bryullov (Russian: Карл Па́влович Брюлло́в; 12 December 1799 – 11 June 1852), original name Charles Bruleau, also transliterated Briullov or Briuloff and referred to by his friends as "The Great Karl", was a Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism .
- December 12, 1799
- June 11, 1852
Karl Pavlovich Bryullov (born Dec. 12 [Dec. 23, Old Style], 1799, St. Petersburg, Russia—died June 11 [June 23], 1852, Marsciano, near Rome, Papal States [Italy]) was a Russian painter who combined technical proficiency and classical academic training with a Romantic spontaneity to produce some of the liveliest examples of Russian art of the ...
- The Editors of Encyclopaedia Britannica
Dec 12, 1799 - Jun 11, 1852. Karl Pavlovich Bryullov, original name Charles Bruleau, also transliterated Briullov and Briuloff, and referred to by his friends as "Karl the Great", was a...
26. Mai 2021 · Margaret Samu. In 1834 Karl Briullov’s painting The Last Day of Pompeii became the first work of Russian art to attract international attention, earning a first-class medal at the Paris Salon after a laudatory response in Rome and Milan. Its European success made it the most significant Russian painting of the period.
