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The New Objectivity (in German: Neue Sachlichkeit) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub , the director of the Kunsthalle in Mannheim , who used it as the title of an art exhibition staged in 1925 to showcase artists who were ...
- New Objectivity (architecture)
The New Objectivity (a translation of the German Neue...
- New Objectivity (filmmaking)
New Objectivity (a translation of the German Neue...
- New Objectivity (architecture)
Neue Sachlichkeit, (German: New Objectivity), a group of German artists in the 1920s whose works were executed in a realistic style (in contrast to the prevailing styles of Expressionism and Abstraction) and who reflected what was characterized as the resignation and cynicism of the post-World War.
- The Editors of Encyclopaedia Britannica
Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann.
Neue Sachlichkeit. (New Objectivity) A modern movement that developed in Weimar Germany in the 1920s. It offered a return to unsentimental reality and a focus on the objective world, as opposed to the more abstract, romantic, or idealistic tendencies of Expressionism.
Neue Sachlichkeit (New Objectivity) Started: 1919. Ended: 1933. "We must be a part of all the misery which is coming. We have to surrender our heart and our nerves ... It's the only course of action which might give purpose to our superfluous and selfish existence (as artists) that we give people a picture of their fate." 1 of 13.
