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Learn about the main characters in Arthur Miller's play, Death of a Salesman, and their roles and conflicts. Find in-depth analyses of Willy, Biff, Happy, Linda, Charley, Bernard, Ben, and more.
- Act 2, Part 1
A summary of Act 2, Part 1 in Arthur Miller's Death of a...
- Suggestions for Further Reading
A suggested list of literary criticism on Arthur...
- Death of a Salesman
Willy, after all, is a salesman, and Biff’s ego-crushing...
- Themes, Motifs & Symbols
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- Plot Overview
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- Key Facts
Full title Death of a Salesman: Certain Private...
- Act 2, Part 1
Learn about the main and minor characters in Arthur Miller's classic play, Death of a Salesman. Find out their roles, relationships, motivations, and themes in the play.
Learn about the main characters of Death of a Salesman, a play by Arthur Miller. Meet Willy Loman, his wife Linda, his sons Biff and Happy, and other figures who shape his life and death.
Vor 4 Tagen · Death of a Salesman, a play in “two acts and a requiem” by Arthur Miller, written in 1948 and produced in 1949. Miller won a Pulitzer Prize for the work, which he described as “the tragedy of a man who gave his life, or sold it” in pursuit of the American Dream .
- The Editors of Encyclopaedia Britannica
Characters and cast. Themes. Reality and illusion. Tragedy. Reception. In the United States. In the United Kingdom. In Germany. In India. In China. Productions. Adaptations in other media. Awards and nominations. Original Broadway production. 1975 Broadway production. 1984 Broadway production. 1999 Broadway production. 2012 Broadway production.
by Arthur Miller. Buy Study Guide. Death of a Salesman Character List. Willy Loman. A sixty year old salesman living in Brooklyn, Willy Loman is a gregarious, mercurial man with powerful aspirations to success.
Tod eines Handlungsreisenden (Originaltitel: Death of a Salesman) ist das bekannteste Drama Arthur Millers aus dem Jahr 1949, für das er noch im selben Jahr mit dem Pulitzer-Preis für Theater ausgezeichnet wurde. Die Uraufführung am Broadway wurde am 10. Februar 1949 von Elia Kazan inszeniert.
