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It is seven years since Visible Man appeared, the first theory of the silent film. The book was the theory of an art that had only just begun to emerge from the trashy products of the picture palace. It was an introduction to theory.
1. Mai 2010 · Béla Balázs’s two works, Visible Man (1924) and The Spirit of Film (1930), are published here for the first time in full English translation. The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English ...
- Béla Balázs
- May 01, 2010
His first book on film, Der sichtbare Mensch (The Visible Man) (1924), helped found the German "film as a language" theory, which also exerted an influence on Sergei Eisenstein and Vsevolod Pudovkin. A popular consultant, he wrote the screenplay for G. W. Pabst 's film of Die Dreigroschenoper (1931), which became the object of a ...
11. Juli 2012 · Theory of the film : (character and growth of a new art) : Balázs, Béla, 1884-1949 : Free Download, Borrow, and Streaming : Internet Archive.
4. Apr. 2016 · Read this article. Discussing the major concepts on which Balázs’s film theory is built, the article explores the poetic Gestalt and symbolic meaning of film, the interplay of close-up, montage and conjecture. Following the development of the theory from Visible Man (1924) to The Spirit of Film (1930), the article argues for the ...
- Matthias Bauer
- 2016
Bela Balazs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin ...
The essays offer the reader an insight into the work of a film theorist whose German-language publications have been hitherto unavailable to the film studies audience in the English-speaking world. Balázs’s detailed analyses of the close-up, the shot and montage are illuminating both as applicable models for film analysis, and as historical ...
