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The Irish-born artist Francis Bacon (1909–1992) painted 28 known triptychs between 1944 and 1986. He began to work in the format in the mid-1940s with a number of smaller scale formats before graduating in 1962 to large examples.
The Irish-born British artist Francis Bacon (1909–1992) painted 28 known large triptychs between 1944 and 1985–86. [1] . He began working in the format in the mid-1940s with a number of smaller scale works before graduating to large examples in 1962.
Three Studies of Lucian Freud is a 1969 oil-on-canvas [1] triptych by the Irish-born British painter Francis Bacon, depicting artist Lucian Freud. It was sold in November 2013 for US$ 142.4 million, which at the time was the highest price attained at auction for a work of art when not factoring in inflation.
- Oil on Canvas [1]
21. Februar 2022. Gritta von Toll. Francis Bacon (1909-1992), Triptych 1986-7, 1986/87, Öl, Pastell, Aerosolfarbe und Trockentransferbeschriftung, 3 Teile, jeweils rückseitig signiert, betitelt, beschriftet und datiert, je 198 x 147,5 cm. Foto © Christie's. Als Top-Los von Christie’s 20th / 21st Century: London Evening Sale am 1.
‘Triptych August 1972‘, Francis Bacon, 1972 | Tate. Art and Artists. Artworks. Triptych August 1972. Explore. abstraction (8,615) from recognisable sources (3,634) figure (2,270) architecture (30,960) features (8,872) door (594) emotions, concepts and ideas (16,416) emotions and human qualities (5,345) grief (125) interiors (2,776) domestic (1,795)
Francis Bacon. Triptych. 1991. Oil on linen, three panels. Each panel 6' 6" x 58 1/8" (198.1 x 147.6 cm). William A. M. Burden Fund and Nelson A. Rockefeller Bequest Fund (both by exchange). 74.2003.a-c. © 2024 Estate of Francis Bacon / Artists Rights Society (ARS), New York / DACS, London. Painting and Sculpture
Triptych, 1976 ist ein Triptychon, das 1977 von Francis Bacon gemalt wurde. Der mittlere Teil zeigt eine kopflose menschliche Figur, die von Geiern eingekreist wird. Die Seiten zeigen zwei entstellte menschliche Gesichter. Interpretationen.
