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Title: Violin and Palette. Artist: Georges Braque (French, Argenteuil 1882–1963 Paris) Date: 1909. Medium: Oil on canvas. Dimensions: 36 1/8 × 16 7/8 in. (91.8 × 42.9 cm) Classification: Paintings. Credit Line: Solomon R. Guggenheim Museum, New York (54.1412) Accession Number: CTO.005
- Tradition and Innovation
- New Strategies of Representation
- A Trompe L’Oeil Illusion
- A Developmental Process
- A New Kind of Pictorial Space
- A Limited Palette
This painting is an early example of Analytic Cubism, the name given to the first phase of Picasso’s and Braque’s joint endeavor to create a new approach to the pictorial representation of objects in space. Despite its often baffling innovations, one of the defining features of Cubismis its engagement with the European painting tradition. This enga...
Some of the distortions in Violin and Palette, most notably the relationship of the violin’s scroll to its body, may be explained as the result of combining several different angles of view into a single depiction. This explanation was frequently advanced by contemporaneous critics, and it does explain many of the Salon Cubists’ paintings. However,...
Above and behind the sheet music, Braque painted a green curtain and a palette hanging from a nail. Both of these objects refer to traditional naturalistic representation. The curtain is a conventional framing device used in European painting to suggest spatial depth. In Braque’s painting the curtain frames the palette. Although the curtain, nail, ...
Picasso’s and Braque’s Cubism is generally understood to have been a developmental process rather than a style that followed a predetermined theoretical approach. The two artists worked in a close and competitive relationship between 1908 and 1914, meeting regularly to see each other’s latest works, and pushing each other to increasingly daring pic...
Candlestick and Playing Cards on a Table is even more difficult to decipher. The title tells us what to look for, and hints of the objects’ forms emerge from the shifting grid of rectangles presented in an oval format. In the center of the composition we can find the circular base of a candlestick. It is placed above the corner of a table, which ju...
One of the characteristics of Braque’s and Picasso’s Analytic Cubist paintings is their increasingly limited color range. In his earliest Cubist landscapes, Braque used the ochres, greens, and blues favored by Cézanne. Violin and Paletteis restricted to browns, grays, and a little green, while the later still life paintings are limited to browns an...
Compare Violin and Palette with Braque's work in 1906, Landscape in Antwerp, just before Braque started experimenting with the techniques that evolved into Violin and Palette . Both show vast contrast in color, form of the object and shadow.
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Although much of the painting is not naturalistic, we can identify the still-life objects in Georges Braque’s Violin and Palette fairly easily. The form of the violin at the bottom of the painting is fractured; the body of the instrument has been broken up into geometric shapes, and on the right side they grow like crystals into the ...
Violin and Palette is currently held at the Solomon R. Guggenheim Museum in New York City, USA. Georges Braque was a renown French painter in the 20th-century from Argenteuil, France. He trained as a house painter and decorator like his father, but also studied painting at the Ecole des Beaux-Arts in Le Havre.
Violin and palette is one of artworks by Georges Braque. Artwork analysis, large resolution images, user comments, interesting facts and much more.
