Suchergebnisse
Suchergebnisse:
A surrealist and symbolist charcoal drawing of a spider with a human face and a tear. Learn about the artist, the context, and the meaning of this haunting image.
About The Crying Spider. The artwork entitled “The Crying Spider,” crafted by the artist Odilon Redon in 1881, stands as a notable work within the Symbolism art movement. Rendered in the medium of charcoal, the piece embodies the symbolic painting genre and measures 49.5 by 37.5 centimeters.
- Odilon Redon
- Charcoal
- 1881
- The Crying Spider
29. Juni 2018 · “The Crying Spider” is one of Redon’s “noirs”, and shows a human face on a spider’s body, tears fall from the eyes of the face, and oddly the spider has 9 legs (that I can count anyway). Created in charcoal, it has a smudgy nightmarish quality too it, the eyes of the man seem hollow and unfulfilled and they stare out ...
1. Nov. 2021 · Written by: Vincent René-Lortie. Produced by: Samuel Caron. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘The Crying Spider’ was created in 1881 by Odilon Redon in Symbolism style.
Learn about the life and work of Odilon Redon, a French symbolist artist who used black and white lithographs to express his mystical and metaphysical visions. See his famous drawing \"The Crying Spider\" and other examples of his \"Noirs\" series.
Odilon Redon, geboren als Bertrand-Jean Redon, (* 22. April 1840 in Bordeaux; † 6. Juli 1916 in Paris) war ein französischer Grafiker und Maler des Symbolismus und Mitbegründer der Société des Artistes Indépendants. Das Werk des Künstlers gliedert sich in eine frühe schwarze und eine (späte) farbige Phase.
17. Dez. 2022 · The Balloon-Eye, The Crying Spider, The Cactus Man, The Cyclops…. This is not a list of creatures from some horror movie. These are paintings created by the endlessly creative mind of Odilon Redon—the individualist who believed in the superiority of the imagination over observation of nature.
