Suchergebnisse
Suchergebnisse:
Paisley Underground is a musical genre that originated in California. It was particularly popular in Los Angeles, reaching a peak in the mid-1980s.
- The Salvation Army – “She Turns to Flowers”
- The Bangles – “The Real World”
- The Dream Syndicate – “Tell Me When It’S Over”
- The Rain Parade – “1 Hour ½ Ago”
- The Three O’Clock – “Jet Fighter”
- The Long Ryders – “10-5-60″
- True West – “Hollywood Holiday”
- Rainy Day – “I’ll Keep It with Mine”
- The Pandoras – “Hot Generation”
- Danny & Dusty – “Baby, We All Gotta Go Down”
Every element and idea associated with the Paisley Underground is present in this single, which opens with a blast of backwards guitars and a bright tapestry of pop harmonies. The Salvation Army were trying to sound out of time, and the flowery existentialism of the lyrics and the studious phrasing of the vocals only heightens that out-of-time sens...
The Bangles had some of the best hooks, the best melodies, and maybe the best songs of any Paisley Underground band, but their fame obscured just how good they actually were right out of the gate. Released in 1982, shortly before Michael Steele (from the Runaways) joined the line-up, their self-titled debut EP introduced a band nearly fully formed,...
One of the most fondly remembered albums to crawl out of the Paisley Underground, The Days Of Wine & Roseslooks east for inspiration. The Dream Syndicate, named after a 1960s experimental music project featuring LaMonte Young and Tony Conrad, were much more Velvet Underground than Buffalo Springfield, with drummer Dennis Duck and bass player Kendra...
Few Paisley bands were quite as self-aware as the Rain Parade, fronted by brothers Steven and David Roback. “What’s the point of looking back?” they ask on this standout from their debut, Emergency Third Rail Power Trip. “All you see is an empty track.” But the remainder of “1 Hour ½ Ago,” along with the rest of that landmark album, not only looks ...
The difference between the claustrophobic noise rock of the Dream Syndicate and the peppy energy of the Three O’Clock suggests that the Paisley Underground was either an extremely wide umbrella or possibly a useless term. “Jet Fighter” was a sizable hit on college radio stations, essentially acting as an advertisement for the LA scene with its chim...
The title track from the Long Ryders’ debut EP is a song about being in a rock band and writing a rock song. Over a hyperactive guitar riff and a relentless drumbeat, Sid Griffin outlines the rules of the scene and the ingredients for a good tune. “If the dancers don’t feel it, nobody’s gonna move!” As they chant those obscure numbers on the chorus...
Did you know that Los Angeles has a seedy side? That’s the subject of True West’s signature song, which chronicles a motel hook-up between two people who probably don’t want to be photographed together. “She says she hasn’t done this much at all,” sings Russ Tolman, like he’s some old-school private dick sticking a camera through someone else’s bli...
Rainy Day was the brainchild of the Rain Parade’s David Roback, a scene-specific supergroup featuring members of the Bangles, Opal, and the Three O’Clock. The group released only one EP of covers that provided a roadmap to the Paisley Underground. Kendra Smith singing “Holocaust” is nearly definitive, Michael Quercio managed to make “Sloop John B” ...
Primary Pandora Paula Pierce had a gift for mimicking the riffs and melodies of her favorite 45s, blurring the line between tribute and theft (“I’m Here I’m Gone” barely inverts “Satisfaction,” for example). “Hot Generation,” however, steamrollers any comparisons, stomping its ways out of the garage and careening recklessly all the way to the beach...
The Lost Weekend, this supergroup’s first album, certainly lived up to its name: Danny (Dan Stuart of Green On Red) and Dusty (Steve Wynn of the Dream Syndicate) and a loose crew of locals spent a beer-fueled weekend recording a raucous set of country-rock tunes alternately hilarious and harrowing. A document of the scene’s growing fascination with...
- Stephen Deusner
The Paisley Underground was the most distinctive subgenre of jangle pop in the mid-'80s. Like jangle pop, the bands in the paisley underground revived the clean, chiming textures of folk rock, but they had a more psychedelic bent to their sound.
18. Mai 2001 · The duo’s backing band—a Paisley Underground all-star combo consisting of guitarists Griffin and McCarthy, bassist Tom Stevens (Long Ryders), pianist Chris Cacavas (Green On Red) and drummer Duck—reassembled the next year to record The Lost Weekend.
18. Mai 2001 · Equal parts Troggs, Rubber Soul and Mamas And The Papas, All Over established Susanna Hoffs as the most recognizable voice of the Paisley Underground, whether belting out “Hero Takes A Fall” (written for Wynn) and “James” or adding a floating layer of harmony to their classic rendition of Kimberley Rew’s “Going Down To ...
6. Sept. 2023 · The Paisley Underground blended the psychedelic sounds of the '60s with a 1980s post-punk ethos. This week, Jim and Greg reflect on the Paisley Underground movement. They'll discuss prominent bands like The Bangles, explore what made the scene so special, and explain its impact on indie rock.
Paisley Underground is a music genre that emerged in the 1980s in Los Angeles, California. It is characterized by a blend of psychedelic rock, folk rock, and jangle pop. The genre is known for its use of 12-string guitars, vocal harmonies, and a retro sound reminiscent of the 1960s.
