Suchergebnisse
Suchergebnisse:
And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his ...
The Post Card: From Socrates to Freud and Beyond. ... Author: Jacques Derrida. 105 downloads 871 Views 9MB Size Report. This content was uploaded by our users and we assume good faith they have the permission to share this book. If you own the copyright to this book and it is wrongfully on our website, we offer a simple DMCA procedure to remove ...
8. Aug. 2016 · In The Post Card: From Socrates to Freud, Derrida playfully articulates the complexity and impossibility of locating the self. The ‘Envois’ section of the book, in particular, is preoccupied with t...
15. Juni 1987 · You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloined letter, in a word the transference from Socrates to Freud, and beyond. This satire of epistolary literature had to be farci, stuffed with addresses, postal codes, crypted ...
- Jacques Derrida
12. Juli 1987 · In 1980, he wrote “The Post Card: From Socrates to Freud and Beyond,” which is now available in an excellent English translation. The titles seem odd at first, remote from the central concepts ...
The Post Card: From Socrates to Freud and Beyond. S. Bans. Published 1980. Philosophy, Psychology. You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably.
The Post Card: From Socrates to Freud and Beyond is a 1980 book by the French philosopher Jacques Derrida. It is a "satire of epistolary literature." After Glas (1974), it is sometimes considered Derrida's most "literary" book, and continues the critical engagement with psychoanalysis first signaled in "Freud and the Scene of Writing" from Derrida's Writing and Difference (1967).
