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  1. PAUL FEJOS, 1897-1963 RALPH SOLECKI PAUL FEJOS, President and Director of the Wenner-Gren Foundation for Anthropologi­ cal Research, died of a coronary attack on April 23, 1963. After four operations, his staunch heart could stand no more. He was one of the vanishing breed of anthro­ pologists who came into the field from other

  2. Paul Fejos großartige Erzähltechnik und seine hochentwickelte Bildsprache zeigen das Stummfilmkino auf höchstem Niveau und markieren zugleich auch ihr Ende insofern, als für den gerade aufkommenden Tonfilm Extrasequenzen mit Dialog- und Musikpassagen gedreht wurden, die wie Fremdkörper im Gesamtkörper des Films wirkten. »Lonesome« wurde 2012 vom George Eastman House restauriert; auch ...

  3. 30. Aug. 2012 · It was one of Universal’s most profitable films in its year of release, but Paul Fejos’s Lonesome is now largely forgotten, partly because of its idiosyncratic, experimental style, borrowing heavily on the Soviet and French trailblazers of the era, but also because the already diluted history of early cinema can’t seem to accommodate the unknown territory between The General and The Jazz ...

  4. Paul Fejos's films stand out even in this group, but exactly how they came to be made has never been entirely clear. Fejos was born in Budapest in 1897 and first became involved in theatre and film after the war (he had earlier been a medical student). He directed films in Hungary between 1920 and 1922, but left for

  5. 2. Apr. 2024 · Fejos, Paul. Geb. 24.1.1897 in Budapest als Pal F.; gest. 23.4. 1963 in New York. Drehbuchautor, Filmregisseur, Exilant. Nach der Rückkehr aus dem Weltkrieg, in dem Fejos als Sanitätssoldat diente, begann er 1918 seine Laufbahn als Spielfilmregisseur in Ungarn, wo er einige Filme realisieren konnte.

  6. www.imdb.com › name › nm0270838IMDb

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  7. 14. Sept. 2017 · Paul Fejos at universal Richard Koszarski D uring the early 1970s I spent several years researching the career of Carl Laemmle and his operation of Universal Pictures, first for the American Film Institute, and later for the Mu-seum of Modern Art. The monograph Universal Pic-tures: 65 Years, published by the Museum in 1977, was one result of this.