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  1. According to Sartre, an object can be given to us in three ways: by perceiving it, by having an idea of it, and by imagining it (having an image of it). Although we may try to respond to the image in the same way as we would to the object itself, the fact remains that an image, however vivid, presents its object as not being. It was in The Psychology of Imagination that Sartre first brought ...

  2. Sartre had become acquainted with the philosophy of Edmund Husserl in Berlin and was fascinated by his idea of the 'intentionality of consciousness' as a key to the puzzle of existence. Against this background, _The Imaginary_ crystallized Sartre's worldview and artistic vision. The book is an extended examination of the concepts of nothingness ...

  3. Książka The Imaginary autorstwa Sartre Jean-Paul, dostępna w Sklepie EMPIK.COM w cenie 102,99 zł. Przeczytaj recenzję The Imaginary. Zamów dostawę do dowolnego salonu i zapłać przy odbiorze!

  4. 31. Juli 2004 · Sartre's (1940 Sartre's ( /2004) phenomenological account of the imagination helps us in this task by detailing daydreaming's ontology and its potential effects. This foundational work by a major ...

  5. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf. Also included is Maurice Merleau-Ponty’s important review of ...

  6. Notes on the Translation Part One: The Certain The Intentional Structure of the Image I. Description 1. The Method 2. First Characteristic: The Image is a Consciousness 3. Second Characteristic: The Phenomenon of Quasi-Observation 4. Third Characteristic: The Imaging Consciousness Posits its Object as a Nothingness 5. Fourth Characteristic: Spontaneity 6. Conclusion II. The Image Family 1 ...

  7. 13. Juli 2012 · Sartre is introducing phenomenology as a problem by way of perception and imagination. That is, perception is always inherently incomplete. Yet, when a thing is imagined, it is complete. Like any good scholar, he begins by addressing the conversation up to this point from Descartes, Leibniz, and Hume (Just a note, the critique of Leibniz is the reason for the cover art, by the way). Similarly ...

    • Jean-Paul Sartre