Suchergebnisse
Suchergebnisse:
Letter to Jane: An Investigation About a Still Jean-Luc Godard & Jean-Pierre Gorin, 1972, 52 min “ Godard and Gorin’s meditation on and dissection of a famous image of their Tout va bien star Jane Fonda, taken during a trip to Hanoi, rendered on the soundtrack by the two filmmakers in hard-boiled English.
If you're interested in conceptual art, like I, you will probably appreciate LETTER TO JANE, even if you disagree with the politics. Others will never see it, anyway. A novel format-- philosophizing-over-still-pictures is certainly unique in film history. However, as with TIMECODE, I wouldn't want every film to be like this-- especially with such dubious politics.
How very Godard, then, that that film's companion piece, Letter to Jane, is arguably his wordiest movie, an extended breakdown of Jane Fonda's famous Hanoi photograph that consists entirely of staring at unchanging photographs while Godard and Jean-Pierre Gorin go on at length about them. I'm on board with the overall thesis, a bitter recrimination towards the West's tendency to make celebrity ...
10. Okt. 1972 · The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.
Lettre à Jane Letter to Jane: An Investigation About a Still ist ein Dokumentarfilm aus dem Jahr 1972 von Jean-Luc Godard und Jean-Pierre Gorin mit Jane Fonda und Jean-Luc Godard .
Ce film met en avant une photographie de Jane Fonda visitant Hanoi pendant la guerre du Vietnam. Il pose la question de la position de l'intellectuel dans la lutte des classes et souligne l'ironie de la participation de Jane Fonda à la séance photo, qui était une mise en scène.
14. Juni 2015 · Letter to Jane is a 1972 French postscript film to Tout Va Bien directed by Jean-Luc Godard and Jean-Pierre Gorin and made under the auspices of the Dziga Vertov Group. Narrated in a back-and-forth style by both Godard and Gorin, the film serves as a 52-minute cinematic essay that deconstructs a single news photograph of Jane Fonda in Vietnam. This was Godard and Gorin’s final collaboration.
