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  1. 25. Sept. 2019 · Is Just Don’t Think I’ll Scream (2019) streaming on Netflix, Disney+, Hulu, Amazon Prime Video, HBO Max, Peacock, or 50+ other streaming services? Find out where you can buy, rent, or subscribe to a streaming service to watch it live or on-demand.

  2. Just Don’t Think I’ll Scream. During years of solitude in an Alsatian village following the end of a relationship, Frank Beauvais found solace in the screen by watching films obsessively. He then crafted an audiovisual diary by editing shots of the films he was devouring, in which he links his private life with world events. During years of ...

  3. 29. Jan. 2021 · Just Don't Think I'll Scream - Metacritic. Summary Frank Beauvais’s intimate essay film assembles excerpts from the 400-plus films the French director watched over a four-month period of seclusion in 2016. On the soundtrack, Beauvais speaks of the breakup that led to his retreat, the estranged father with whom he bonded over cinema just ...

  4. Hypersonal, hermetic, confessional and global. Captures, unlike any work I’ve seen, the anxiety of our current era.”. APRIL 22 – MAY 5 2 WEEKS JUST DON’T THINK I’LL SCREAM WRITTEN AND DIRECTED BY FRANK BEAUVAIS FRANCE 2019 75 MINS. IN FRENCH WITH ENGLISH SUBTITLES KIMSTIM “Is it an avant-garde autobiography?

  5. Just Don’t Think I’ll Scream. During years of solitude in an Alsatian village following the end of a relationship, Frank Beauvais found solace in the screen by watching films obsessively. He then crafted an audiovisual diary by editing shots of the films he was devouring, in which he links his private life with world events. IMDb 7.0 1 h 15 ...

  6. 10. Feb. 2019 · Review: Just Don’t Think I’ll Scream. BERLIN 2019: In his first feature, Frank Beauvais offers up an intimate confession, an illustrated journal of sorts, adorned with an incredible profusion of images borrowed from a myriad of films . 10/02/2019 | Berlinale 2019 | Forum

  7. Vever (for Barbara) Deborah Stratman, USA, 2018, 12m. Combining footage from an incomplete project that Barbara Hammer shot on a motorcycle trip to Guatemala in 1975 with texts by Maya Deren, Deborah Stratman’s moving tribute stages an encounter across three generations of women that explores the ethics and the promise of the unfinished.