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Walburga Neuzil was one of those. She was an illegitimate child. When she was half a year old, her parents got married, and the girl was given a surname after her father, a teacher in a minor country town close to Vienna. When Josef Neuzil died (which is thought to have happened in 1905), the mother with Wally and three younger daughters moved ...
WALLY NEUZIL Her Life with Egon Schiele 27.02.2015 - 07.09.2015 . The painting “Wally”, housed by the Vienna Leopold Museum, is among the most well-known works by Egon Schiele. The upcoming exhibition at the Leopold Museum seeks to uncover the person behind the portrait, Walburga “Wally” Neuzil (1894-1917), approaching her through artworks, autographs, photographs and
Portrait of Wally is a 1912 oil painting by Austrian painter Egon Schiele of Walburga "Wally" Neuzil, a woman whom he met in 1911 when he was 21 and she was 17. She became his lover and model for several years, depicted in a number of Schiele's most striking paintings. The painting was obtained by Rudolf Leopold in 1954 and became part of the ...
Walburga/Wally Neuzil was not only Egon Schiele’s model from early 1911 but also his girlfriend and faithful companion until the spring of 1915. Having started out as one of many models, she soon played a key role in Schiele’s life and works. Schiele created himself, his vision of an artist, through his works, while Wally revealed to him a world that was indispensable for this development ...
Egon Schiele (1890–1918) malte dieses wohl bekannteste Bildnis seiner langjährigen Partnerin Wally Neuzil (1894–1917) als Gegenstück zu seinem [*„Selbstbildnis mit Lampionfrüchten“*] (/objekt/528). Das als Querformat komponierte Brustporträt zeigt Neuzil mit leicht gesenktem Kopf, rotblondem Haar und übergroßen strahlend blauen ...
22. Nov. 2017 · The grave of Egon Schiele’s young muse, Walburga “Wally” Neuzil, found by researchers in the Croatian town where she worked as a wartime nurse, is due to become a monument to the little ...
Egon Schieles Gemälde Bildnis Wally Neuzil war persönliches Eigentum von Lea Bondi Jaray (*1880 Mainz – † 1969 London), jüdischer Kunsthändlerin und Eigentümerin der Galerie Würthle in Wien. Nach der erzwungenen Übergabe der Galerie an Friedrich Welz im April 1938 floh sie 1939 vor den Nationalsozialisten nach London.
