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IN 1962, ALMOST TWENTY years after the lyricist Lorenz Hart’s death, his melodist partner Richard Rodgers told Diahann Carroll that “you can’t imagine how wonderful it feels to have written ...
Rodgers und Hart waren in den 1920er- und 1930er-Jahren eines der produktivsten und erfolgreichsten „Songwriting-Teams“ am Broadway. Rodgers komponierte und Hart schrieb die Liedtexte. Zugleich bildeten sie eine der ersten Partnerschaften, die als solche in der damaligen Öffentlichkeit wahrgenommen wurde (man denke auch an die ...
The clever, sophisticated lyrics of Lorenz Hart (b. Harlem, New York, 2 May 1895; d. New York, 22 November 1943), who partnered with composer Richard Rodgers for almost 25 years, can still bring smiles to the lips, decades after they were first popular. The greater percentage of songs by Rodgers and Hart were introduced in […]
From 1919 up to his death he worked with Richard Rodgers on an incredible amount of musical comedies for movie and theatre, where Hart usually wrote the lyrics and Rodgers the music. Among their best known songs are Blue Moon, My Funny Valentine and The Lady Is A Tramp. Lorenz Hart was inducted in the Songwriters Hall of Fame in 1970.
Down by the River. Richard Rodgers, Lorenz Hart. Ray Noble and His Orchestra - Vocal Refrain by Al Bowlly REC,REL, Bing Crosby BRD. February 9, 1935. Covered by (5 artists) Ev'ry Sunday Afternoon. Richard Rodgers, Lorenz Hart. Márta Eggerth, Leif Erickson PRF, Charlie Barnet and His Orchestra - Vocal Refrain by Mary Ann McCall REC. April 4, 1940.
Rodgers & Hart. Composer Richard Rodgers and lyricist Lorenz Hart were a songwriting duo from New York, New York. Active from 1919 to 1943, they wrote an incredible amount of musical comedies for movie and theatre. Among their best known songs are Blue Moon, My Funny Valentine and The Lady Is A Tramp . When Lorenz Hart died in 1943, Richard ...
2. Nov. 1995 · Lorenz Hart. : Frederick Nolan. Oxford University Press, Nov 2, 1995 - Music - 416 pages. Lorenz Hart singlehandedly changed the craft of lyric writing. When Larry Hart first met Dick Rodgers in 1919, the commercial song lyric consisted of tired cliches and cloying Victorian sentimentality. Hart changed all that, always avoiding the obvious ...
