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One of the most mesmerizing presences in European art-house cinema, Delphine Seyrig was a favorite of visionary directors such as Chantal Akerman (JEANNE DIELMAN, 23, QUAI DU COMMERCE, 1080 BRUXELLES), Marguerite Duras (INDIA SONG), and Luis Buñuel (THE DISCREET CHARM OF THE BOURGEOISIE), bringing an air of ethereal mystery to her minutely detailed performances.
Delphine Seyrig, Maria Schneider and Carole Roussopoulos during the shooting of Sois belle et tais-toi, 1975. Delphine Seyrig (10 April 1932, Beirut, Greater Lebanon – 15 October 1990, Paris, France) is best known for the roles she played in French auteur cinema, most notably in Alain Resnais’ Last Year at Marienbad (1961), where she became the symbol of an idealized and sophisticated ...
Delphine Seyrig (1932–1990) contributed her profound intelligence, professional expertise, and sublime beauty to some of the most memorable films of the twentieth century. One can argue that her pitch-perfect performances were fundamental to the enduring success of François Truffaut’s Stolen Kisses, Marguerite Duras’s India Song, Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce ...
6. Jan. 2020 · Few performers captured the heights of 1960s and 70s European art cinema as totally as Delphine Seyrig.Born in Beirut in 1932, the French star brought a sense of enigmatic glamour and intelligence to films by many of the most celebrated continental directors of the time, including Alain Resnais, Marguerite Duras, François Truffaut, Chantal Akerman and Luis Buñuel.
Die Ausstellung erforscht die historische Überschneidung zwischen der Geschichte des Kinos, des Videos und des Feminismus mit dem Vermächtnis der französischen Schauspielerin Delphine Seyrig als Ausgangspunkt. Seyrig (1932–1990) machte sich international einen Namen als ein Star des Autorenkinos in den 1960er und 1970er Jahren. Sie spielte in so berühmten Filmen wie
Delphine Seyrig (10. dubna 1932 Bejrút – 15. října 1990 Paříž) byla francouzská divadelní a filmová herečka. Byla výrazná zejména svým zastřeným altový hlasem a minimalistickým herectvím. Do svých rolí vnášela krom dokonalého šarmu a ženskosti i svou inteligenci. Proslula zejména v rolích charakterově nejednoznačných hrdinek, případně v rolích osudových žen.
17. Jan. 2023 · Seyrig’s last film performance was in Johanna D’Arc of Mongolia (1989) a film by experimental director Ulrike Ottinger, with whom Seyrig had previously collaborated in Freak Orlando (1981). She died of lung cancer the following year, the same year as another reclusive, hard-to-define actress who brought androgyny to the big screen back in the 1920s: Greta Garbo. Seyrig was only 58. While ...
