Suchergebnisse
Suchergebnisse:
Titus and Cornelia. Signature. Rembrandt Harmenszoon van Rijn ( / ˈrɛmbrænt, ˈrɛmbrɑːnt /, [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə (n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest ...
Titus van Rijn ( Ámsterdam, bautizado el 22 de septiembre de 1641 - idem, 7 de septiembre de 1668) fue el cuarto y único hijo sobreviviente del pintor holandés Rembrandt van Rijn y su esposa Saskia van Uylenburgh. Titus aparece varias veces como una de las figuras o modelo en pinturas y estudios de su padre. Tito como monje (1660) de ...
15. Feb. 2019 · The Dutch master’s famous painting has inspired theories that suggest it led to his downfall. Fisun Güner takes a closer look. When Rembrandt van Rijn died aged 63 in 1669, he was buried in an ...
Rembrandt Harmensz van Rijn, born in Leiden on July 15, 1606, was the son of a miller, Harmen Gerritsz van Rijn, and his wife, Neeltgen van Zuytbrouck. The youngest son of at least ten children, Rembrandt was not expected to carry on his father’s business. Since the family was prosperous enough, they sent him to the Leiden Latin School, where ...
24. Juni 2023 · From Wikimedia Commons, the free media repository. English: Titus van Rijn (22 September 1641 – 4 September 1668) was the fourth and only surviving child of Rembrandt Harmenszoon van Rijn and Saskia van Uylenburgh. Titus is best known as a figure or model in his father's paintings and studies. Titus van Rijn. child of Dutch painter Rembrandt.
2. Jan. 2015 · Rembrandt (1606–1669) Alternative names. Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn. Description. Dutch painter, printmaker and drawer. Date of birth/death. 15 July 1606. 4 October 1669. Location of birth/death.
Walter L. Strauss and Marjon van der Meulen. The Rembrandt Documents. New York, 1979, p. 324, list it among works dated 1655 and notes that it is "not accepted by Gerson". Maryan W. Ainsworth et al. Art and Autoradiography: Insights into the Genesis of Paintings by Rembrandt, Van Dyck, and Vermeer. New York, 1982, p. 97 n. 5, as "missing the ...
