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Official website of artists Christo and Jeanne-Claude. Features photographs and texts about all major projects, early works, and works in progress. Includes biographical and bibliographical information as well as past, current, and upcoming exhibitions.
Christo (1935–2020) and Jeanne-Claude (1935–2009) have created some of the most visually breathtaking works of the twentieth and twenty-first centuries. Since 1971, Wolfgang Volz documents the artists' life and work with his camera.
Official website of artists Christo and Jeanne-Claude. Features photographs and texts about all major projects, early works, and works in progress. Includes biographical and bibliographical information as well as past, current, and upcoming exhibitions.
The Floating Piers was first conceived by Christo and Jeanne-Claude in 1970. It was Christo's first large-scale project since Christo and Jeanne-Claude realized The Gates in 2005, and since Jeanne-Claude passed away in 2009. As with all of Christo and Jeanne-Claude's projects, The Floating Piers was funded entirely through the sale of Christo's ...
Official website of artists Christo and Jeanne-Claude. Features photographs and texts about all major projects, early works, and works in progress. Includes biographical and bibliographical information as well as past, current, and upcoming exhibitions.
The Floating Piers was first conceived by Christo and Jeanne-Claude in 1970. It was Christo's first large-scale project since Christo and Jeanne-Claude realized The Gates in 2005, and since Jeanne-Claude passed away in 2009. As with all of Christo and Jeanne-Claude's projects, The Floating Piers was funded entirely through the sale of Christo's ...
For Christo and Jeanne-Claude, the temporary nature of this and other projects was important because it challenged people’s belief in the immortality of art. Interviewed at the time, Christo compared the temporary nature of the wrapped Reichstag to the tents used by nomadic tribesmen, quickly erected and equally quickly removed, and to the transience of life itself. ‘It is a kind of ...