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  1. View credits, reviews, tracks and shop for the 1982 Vinyl release of "View From The Ground" on Discogs. ... Christopher Cross, Chuck Kirkpatrick, Sara Taylor, Timothy B. Schmit, Tom Kelly; Notes. Columbia House Club Issue Columbia House Sticker on Spine ...

  2. View credits, reviews, tracks and shop for the 1982 Vinyl release of "View From The Ground" on Discogs. ... Christopher Cross, Chuck Kirkpatrick, Sara Taylor, Timothy B. Schmit, Tom Kelly; Barcode and Other Identifiers. Matrix / Runout (Side 1 Label): S ...

  3. Christopher Cross. 322,212 likes · 2,570 talking about this. Welcome to the official Facebook page of Oscar, Grammy, & Golden Globe-winning singer / songwriter Christopher Cross. Christopher Cross. 322,196 likes · 3,108 talking about this. Welcome to th ...

  4. Vocals – Carl Wilson, Chris Coté, Christopher Cross, Chuck Kirkpatrick, Dewey Bunnell, Gerry Beckley, Michael Mirage*, Rick Neigher, Russ Ballard, Sara Taylor, Timothy B. Schmit, Tom Kelly Notes Capitol Records Pressing Plant, Winchester pressing denoted by --- etch in runouts.

  5. 'A View From The Ground' es un álbum con un sonido excepcionalmente pulido. Además de Beckley, Bunnell, y Ballard, aparecen en el registro nombres importantes como el veterano Bobby Colomby (Blood, Sweat & Tears) que produce un par de pistas, Steve Lukather, el bajista Mike Porcaro, y el bateria Jeff Porcaro (Toto), cantantes como Carl Wilson (Beach Boys), Christopher Cross, y Timothy B ...

  6. 10. Feb. 2007 · And that goes for nearly the entire album--much like Crosby, Stills & Nash on their 1982 album "Daylight Again", "A View From The Ground" finds America stuck in the '70s, either unwilling or unable to "modernize" their sound. And I say more power to them--I give these guys major credit for not jumping on the synth-pop bandwagon and for keeping their sound supremely tasteful on here. Legendary ...

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  7. And that goes for nearly the entire album--much like Crosby, Stills & Nash on their 1982 album "Daylight Again", "A View From The Ground" finds America stuck in the '70s, either unwilling or unable to "modernize" their sound. And I say more power to them--I give these guys major credit for not jumping on the synth-pop bandwagon and for keeping their sound supremely tasteful on here. Legendary ...