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1964: Eyes of the Storm presents 275 of McCartney's photographs from the six cities of these intense, legendary months - Liverpool, London, Paris, New York, Washington, D.C. and Miami - and many never-before-seen portraits of John, George and Ringo. In his Foreword and Introductions to these city portfolios, McCartney remembers 'what else can you call it - pandemonium' and conveys his ...
13. Juni 2023 · ‘1964: Eyes of the Storm’: Paul McCartney Releases Unseen Photos of The Beatles in New Book. Get a peek at the band's first transatlantic trip through the lens of McCartney's camera, available ...
26. Jan. 2023 · 『1964: Eyes of the Storm』には、ポール・マッカートニーによる序文と、ハーバード大学の歴史学者でニューヨーカーのエッセイストであるジル・レポアによる紹介文「Beatleland」が収録されています。本の予告編は以下からご覧いただけます。
13. Juni 2023 · 1964: Eyes of the Storm• A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit• Candid recollections preceding each city portfolio that form an autobiographical account of the period McCartney remembers as the “Eyes of the Storm,” plus a coda with subsequent events in 1964New ...
978-0241619711. See all details. This item: 1964: Eyes of the Storm: Paul McCartney. £3641. +. The Lyrics: 1956 to the Present. £1699. +. Living the Beatles Legend: The new biography revealing the untold story of Mal Evans, the perfect 2023 Christmas gift for fans of the Beatles and music history.
- Paul McCartney
13. Juni 2023 · Immerse yourself in the frenzy of Beatlemania with recently rediscovered photographs taken by Sir Paul McCartney from the end of 1963 to the beginning of 1964. McCartney’s personal account is vivid and intimate, a stunning behind-the-scenes account of an explosive moment in music history. "Millions of eyes were suddenly upon us, creating a ...
Featuring 275 images from the six cities-Liverpool, London, Paris, New York, Washington, D.C., and Miami-of these legendary months, 1964: Eyes of the Storm also includes:. A personal foreword in which McCartney recalls the pandemonium of British concert halls, followed by the hysteria that greeted the band on its first American visit