Suchergebnisse
Suchergebnisse:
Official Music Credits | Explore who worked on Donizetti: Maria Stuarda by | Album by Montserrat Caballé, Shirley Verrett, Orchestra del Teatro alla Scala di Milano, Chorus of La Scala, Milan, Ottavio Garaventa, Nella Verri, Giulio Fioravanti and Raffaele Ariè | Jaxsta on Jaxsta.
Shirley Verrett (New Orleans, 31 maggio 1931 – Ann Arbor, 5 novembre 2010) è stata un mezzosoprano e soprano statunitense. Biografia. Nata in una famiglia afroamericana di devoti avventisti del settimo giorno, mostrò presto il suo ta ...
Letra de Donizetti: Maria Stuarda: Da tutti abbandonata - Act Two de Gaetano Donizetti, Shirley Verrett, Montserrat Caballé, Ottavio Garaventa, Raffaele Arie, Giulio Fioravanti, Nella Verri, Orchestra and Chorus of La Scala & Carlo Felice Cillario
Gaetano Donizetti (1797 1848) wrote three operas based on the lives of English Queens: Anna Bolena (1830), Maria Stuarda (1834), and Roberto Devereux (1837). None of them stick very close to history; each is treated in such a way as to heighten, exaggerate, or simply invent scenes and situations that might have taken p
Bonus: L. Gencer in Maria Stuarda: Atto Secondo: Va, Preparati Furente - Shirley Verrett/Montserrat Caballe/Ottavio Garaventa/Raffaele Arie/Giulio Fioravanti/Nella Verri: 28: Bonus: L. Gencer in Maria Stuarda: Atto Terzo: Deh! Tu Di Un'umile Preghiera - Shirley Verrett/Montserrat Caballe/Ottavio Garaventa/Raffaele Arie/Giulio Fioravanti/Nella ...
Maria Stuarda only really works when you can get two evenly matched powerhouse sopranos (or mezzos) in the roles of Maria Stuarda and Elisabetta I. In this performance you have just that with Leyla Gencer in the title role and Shirley Verrett as her rival. The result is electrifying even beyond the individual vocal pyrotechnics and charisma that both of them brought everytime they were on stage.
10. Dez. 2006 · And despite some unevenness in the casting, this set offers a number of other vocal treasures to set beside Sills's artistry: the utterly compelling Giovanna (Jane Seymour) of Shirley Verrett in Anna Bolena, Eileen Farrell's return to the studio for Maria Stuarda 's imperious Elizabeth (interesting to compare with Sills's earlier slant on the queen from Devereux), Paul Plishka's imposing Henry ...
