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Jacques Becker (French: [bɛkɛʁ]; 15 September 1906 – 21 February 1960) was a French screenwriter and film director. Becker first worked in the 1930s as an assistant to director Jean Renoir during what is considered the latter's peak period, including such works as Partie de campagne (1936) and La Grande Illusion (1937).
8. Dez. 2018 · Rediscovering Jacques Becker. Jacques Becker is a vital but unsung protagonist of the post-WWII French cinema. A precise stylist and insightful moralist, Becker’s meticulously detailed films subtly measure the narrative and ethical dimensions of the everyday lives of their unusual heroes: a diverse cast that includes eccentric peasants ...
Jacques Becker (1906-1960), after spending years close to Jean Renoir as his assistant, directed his first films during the Occupation. From Renoir he retained a taste for the freedom of play, a love for actors. As opposed to Renoir, he was meticulous to the extreme and obsessed with technical accuracy.
Das Lexikon des Internationalen Films schreibt: „Jacques Becker hat mit Goldhelm den stilistisch klarsten und filmisch überzeugendsten Film über die belle époque gemacht. Die Zeichnung des zwielichtigen Milieus, die zutiefst menschliche Ausdeutung der Liebesbeziehung zwischen Manda und Marie – das ist faszinierend dramatisiert und ...
Jacques Becker. Director / Screenwriter(1906-1960) Born September 15, Paris, France Top 250 Directors. Key Production Country: FranceKey Genres: Drama, Crime Drama, Comedy Drama, Romance, Romantic Drama, Prison Film Key Collaborators: Marguerite Renoir (Editor), Maurice Griffe (Screenwriter), Paul Barge (Character Actor), Jean-Jacques ...
Jacques Becker mérite le même traitement, non pas qu'il soit meilleur cinéaste que Renoir, mais le placer sur le même piédestal serait la moindre des choses. Becker a donc grandi auprès de Jean Renoir en étant assistant réalisateur sur plusieurs de ses films dont La Grande Illusion et Partie de campagne .
With recent retrospectives and video releases of several films, the United States is in the midst of a Jacques Becker revival. The rediscovery of Becker is an unusual opportunity because Becker was never discovered to start with. He’s tended to be more of a name than a presence in French film as seen from America—a name invoked with respect, but conjuring nothing very palpable. What ...
