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  1. Fredric Jameson (* 14. dubna 1934, Cleveland) je americký filozof, politolog a literární teoretik marxistické orientace, profesor literatury na Duke University. Je žákem Ericha Auerbacha , znám je především svými analýzami postmodernismu , k nejznámějším patří kniha Postmodernismus neboli kulturní logika pozdního kapitalismu (Postmodernism: The Cultural Logic of Late ...

  2. 14. Apr. 2016 · Fredric Jameson outlined a dialectic theory of literary criticism in his Marxism and Form (1971), drawing on Hegelian categories such as the notion of totality and the connections of abstract and concrete. Such criticism recognises the need to see its objects of analysis within a broad historical context, acknowledges its own history and perspective, and…

  3. One of the most politically radical of all cultural and literary theorists in the North-Atlantic world, Fredric Jameson’s work remains mostly terra incognita in North-Atlantic academic political theory. Aside from rare invocations of this or that essay or book, there has not been sustained treatment of Jameson’s relentlessly politicizing vocation of dialectical criticism. It has neither ...

  4. 弗雷德里克·詹姆逊(Fredric Jameson,1934年4月14日—),美国文学理论家、文化批评家。出生于美国的克里夫兰,在耶鲁大学获得硕博士学位,博士。先后在加州大学、耶鲁大学任教,1985年后任杜克大学(Duke University)讲座教授、文学系主任、批评理论研究所所长。2003年辞去系主任职务,继续担任批评 ...

  5. 11. Apr. 2020 · Abstract. Este artigo visa abordar a intervenção de Fredric Jameson no debate sobre a pós-modernidade. O objetivo principal é situar e posicionar a interpretação apresentada pelo autor nos ...

  6. According to Jameson, postmodernity has transformed the historical past into a series of emptied-out stylizations (what Jameson terms pastiche) that can then be commodified and consumed. (See the next module on pastiche .) The result is the threatened victory of capitalist thinking over all other forms of thought.

  7. von Fredric Jameson. ( 162 ) 18,21 €. Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art ...