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  1. The Faithful Shepherdess. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher. [1] Though the initial production was a failure with its audience, the printed text that followed proved significant, in that it contained Fletcher's influential definition of tragicomedy.

  2. John Fletcher tenía ocho años en ese entonces, y era primo del poeta isabelino Phineas Fletcher. Descontando los registros de sus obras, los detalles de su vida son escasos. Entre 1609 y 1625, se estima que Fletcher se encontraba involucrado en la producción de cuarenta y dos piezas teatrales. Al menos veintiuna de ellas han sido expuestas ...

  3. John Fletcher was born in 1579 and lived until 1625 and was, during his writing years, probably the most prolific and influential playwright of his time – even more so than Shakespeare. When Shakespeare retired Fletcher succeeded him as house playwright for the King’s Men. Apart from his collaborations with Beaumont, he also worked on plays ...

  4. John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; both during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. In 1606, he began to appear as an author for the Children of ...

  5. John Fletcher. The following is an imagined account from the life of John Fletcher, who collaborated with William Shakespeare on many plays, including All is True (Henry VIII ) and The Two Noble Kinsmen. Their works inspired each other, and Fletcher went on to adapt several of Shakespeare's older works. Transcript:

  6. Website for playwright John Fletcher, collaborator of Shakespeare, Beaumont, Massinger, Jonson, and other Renaissance Dramatists. to English Renaissance Drama: to English Literature: Early 17th Century : Site copyright ©1996-2007 Anniina Jokinen. All Rig ...

  7. Bio. In the early 1990s John Fletcher began studying. classical guitar at the “Conservatório Nacional. de Lisboa” (National Conservatory of Lisbon) with. Professor Lopes e Silva, and jazz at the “Hot Club. de Portugal” jazz school, with Mário Delgado. and Pedro Madaleno as teachers. Later he studied.