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  1. Jammin' the Blues. Jammin' the Blues is a 1944 American short film made by Gjon Mili and Norman Granz in which a number of prominent jazz musicians re-create the jam-session atmosphere of nightclubs and after-hours spots. It features Lester Young, Red Callender, Harry Edison, Marlowe Morris, Sid Catlett, Barney Kessel, Jo Jones, John Simmons ...

  2. 29. Apr. 2021 · Norman Granz and Ella Fitzgerald at a microphone, 1950. (Ella Fitzerald Papers, NMAH Archives Center) A civil rights protest often invokes the vivid images of sit-ins, boycotts, and marches, but ...

  3. 2. Apr. 2018 · Norman Granz, a renowned impresario—producer, artist manager, and promoter—recognized the value of jazz, and music, as a tool for social change. Through his Jazz at the Philharmonic concert series, during a time of pervasive racism, Granz employed tactics aimed at desegregating jazz concerts, providing his musicians with equal rights and ...

  4. 14. Feb. 2017 · Norman Granz made Jazz Black AND Whiter, something that was never a problem for the musicians, but clearly was for bigots everywhere. Perhaps his innate pragmatism, coupled with his own strong ...

  5. Norman Granz. The Jazz Scene is a 1949 compilation album edited by Norman Granz, featuring recordings from Ralph Burns, Duke Ellington, George Handy, Coleman Hawkins, Neal Hefti, Machito, Charlie Parker, Flip Phillips, Bud Powell, Willie Smith, Billy Strayhorn and Lester Young . The album was recorded in Los Angeles and New York City from 1946 ...

  6. Improvisation (Film) Fotografie von William P. Gottlieb. Improvisation ist ein US-amerikanischer Musikfilm von Norman Granz, der 1950 gedreht wurde und Musiker der damaligen Jazzszene wie Charlie Parker, Coleman Hawkins, Ella Fitzgerald, Lester Young, Hank Jones, Ray Brown und Buddy Rich zeigt.

  7. Coleman Hawkins Encounters Ben Webster. The Genius of Coleman Hawkins (1959) Coleman Hawkins im Spotlite Club, ca. September 1947. Fotografie von William P. Gottlieb. Coleman Hawkins Encounters Ben Webster ist ein Jazz -Album von Coleman Hawkins, aufgenommen am 16. Oktober 1957 und veröffentlicht 1959 auf dem Verve -Label.