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Suchergebnisse
Suchergebnisse:
A young Parisian boy, Antoine Doinel, neglected by his derelict parents, skips school, sneaks into movies, runs away from home, steals things, and tries (disastrously) to return them. Like most kids, he gets into more trouble for things he thinks are right than for his actual trespasses. Unlike most kids, he gets whacked with the big stick.
The 400 Blows stars Jean-Pierre Léaud as Antoine Doinel, Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to ...
4. Juni 2013 · Directed by Francois Truffaut. The 400 Blows grew out of Truffaut’s frustration with the brief running time of Les Mistons (also on today’s program), and although it is undeniably autobiographical, it clearly owes debts to the director’s movie-going addiction. A serious analysis would produce a near endless list of allusions, but some of ...
13. März 2019 · Television interview with François Truffaut about the international reception of 'The 400 Blows' and his own impressions of the film
- 7 Min.
- 6,1K
- New Wave Film
The 400 Blows Summary. After setting his camera in search of the Eiffel Tower through the opening credits, Truffaut sets us down inside a classroom. As the students take a test, they pass around a picture of a pin-up model. Antoine Doinel draws a mustache on the woman and is caught with it, and as punishment is sent to the corner without recess ...
The 400 Blows, French film drama, released in 1959, that defined the New Wave cinema movement created by young French directors in the late 1950s and ’60s. It was the first film in François Truffaut ’s acclaimed Antoine Doinel series, which followed a character widely considered to be the director’s alter ego.
The final shot of Les 400 coups is the most powerful, ambiguous and intriguing of all Truffaut's films. A homage to Ingmar Bergman's Summer with Monika (1953), the freeze-framed close-up of Antoine Doinel standing alone and lost against a desolate seascape suggest many things. It provides a powerful visual metaphor for the solitariness of the ...