Suchergebnisse
Suchergebnisse:
NICKY HOPKINS, Mr. Pleasant, Polydor/Decca THE KINKS, Autumn Almanac, Pye (UK) DAVE DAVIES, Death Of A Clown, Pye/Reprise JEFF BECK, Beck’s Bolero, Columbia/Epic YARDBIRDS, Little Games, Columbia MARC BOLAN, Jasper C. Debussy, Track PP ARNOLD, The First ...
Real Name: Nicholas Christian Hopkins. Profile: British pianist and organist, born 24 February 1944 in Perivale, North London, England, UK, died 6 September 1994 in Nashville, Tennessee, USA. He recorded and performed with, among others, The Rolling Stones, The Who and The Kinks. Sites:
Nicky Hopkins. Některá data mohou pocházet z datové položky. Nicholas Christian "Nicky" Hopkins ( 24. února 1944, Anglie – 6. září 1994, USA) byl anglický rockový pianista. Za svůj život spolupracoval s desítkami muzikantů, mezi které patří i The Beatles, The Rolling Stones, Screaming Lord Sutch, Jeff Beck, Quicksilver ...
Nicholas Christian "Nicky" Hopkins (Febuary 24, 1944 - September 6, 1994) is a British pianist and organist best known for his role of piano on many songs from the Beggars Banquet album, to the Tattoo You album, and playing piano for Led Zepplin. Due to having Crohn's disease, Hopkins was never able to tour with a band, so he instead became a session musician. He was a highly wanted piano ...
7. Juli 2013 · Trade ad for Nicky Hopkins's album The Tin Man Was a Dreamer. To better adapt it to his respective Wikipedia article, the ad was cropped and cleaned in a graphics editing program. The original can be viewed at the source below.
Nick Hopkins was a member of the investigative team at The Guardian responsible for publishing the Edward Snowden leaks in 2013, work which was awarded with the Pulitzer prize. [3] [1] In 2014, he was, in a move publicized by the BBC, recruited to work with the Newsnight program, [4] referring to his career-spanning admiration of the show as a motivator behind the switch.
24. Feb. 2022 · This spot could have easily gone to ‘Sympathy for the Devil’, ‘Gimme Shelter’, ‘Angie’, and especially ‘She’s A Rainbow’, but he was arguably never better than he was on Exile on Main St. ‘s ‘Loving Cup’. Hopkins rarely stepped into the spotlight. He was a session man through and through, with little in the way of ego.
