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26. Apr. 2019 · In her final work, Maypole: Take No Prisoners, Spero gives her own work the same treatment, “cannibalizing” her previous drawings for a new purpose. Using imagery dating back to her War Series, her “stars” are recast as severed, shrieking heads that hover, bloody like lynched victims from red ribbons and chains off the central Maypole, the work is immersive and casts chaotic shadows.
1. März 2009 · MAYPOLE/Take NO PRISONERS. Cultural Politics (2009) 5 (1): 118–132. Nancy Spero’s studio occupies the entire floor of a loft in Greenwich Village, a deep space divided only by a partition that once separated her working space from that of her late husband’s, the painter Leon Golub (1922–2004). As I entered Spero’s studio to see what ...
Cultural Politics Nancy Spero, Maypole/Take No Prisoners (detail) in situ, 52nd Venice Biennale, 2007. Courtesy of Galerie Lelong, New York. Published by Duke University Press Cultural Politics CULTURAL POLITICS VOLUME 5, ISSUE 1 PP 118–132 REPRINTS AVAILABLE DIRECTLY FROM THE PUBLISHERS.
Nancy Spero (August 24, 1926 – October 18, 2009) was an American visual artist known for her political and feminist paintings and hand pulled prints . Born in Cleveland, Ohio, Spero lived for much of her life in New York City. She married and collaborated with artist Leon Golub. As both artist and activist, Nancy Spero had a career that spanned fifty years. She is known for her continuous ...
3. Mai 2019 · The celebration didn’t last. The heads of victims from Spero’s Vietnam paintings, disembodied, magnified to roughly life-size, and printed on aluminum, return in “Maypole: Take No Prisoners ...
24. Apr. 2019 · 1 / 10 2 / 10 Nancy Spero, Maypole. Take No Prisoners, 2007. Installation view at MoMA PS1, New York 2019. Photo Maurita Cardone Take No Prisoners, 2007. Installation view at MoMA PS1, New York 2019.
