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  1. 1. Sept. 2009 · Introduction to Theory of Literature (ENGL 300)In this lecture, Professor Paul Fry explores Fredric Jameson's seminal work, The Political Unconscious, as an ...

    • 54 Min.
    • 116,4K
    • YaleCourses
  2. The Political Unconscious: Narrative as a Socially Symbolic Act (Routledge Classics) | Jameson, Fredric | ISBN: 9780415287500 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon.

  3. 1. Jan. 2001 · As one of the most significant literary theorists, Jameson found himself in the unenviable position of wanting to defend his intellectual past yet keep an eye on the future. With this book he carried it off beautifully. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century.

  4. Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today.

  5. 13. Juni 2002 · In this ground-breaking and influential study, Fredric Jameson explores the complex place and function of literature within culture. A landmark publication, The Political Unconscious takes its place as one of the most meaningful works of the twentieth century. First published: 1983.

    • Fredric Jameson
  6. 17. März 2018 · The political unconscious is a term coined by Neo-Marxist American thinker Fredric Jameson which holds that the cultural text is tied to an ideological-political "unconscious" which underlies it. This political hidden background expresses a class conflict which is expressed in the text in a complex manner. The function of the cultural text ...

  7. its uncanny lability, it resembles the "unconscious" in Freud. Indeed Jameson's own use of "political unconscious" may be seen as an initial point of internal contestation in his argument, for it sits somewhat askew with respect to his dominant theme of dialectical totalization: it is not entirely part of the story whose integral unfolding it ...