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  1. Doomed Bourgeois in Love: Essays on the Films of Whit Stillman. Edited by Marc C. Henrie at Amazon.com or Amazon.co.uk. Excerpts. Read the first chapter, ‘Whit Stillman’s Comic Art’ (PDF) by Mary P. Nichols. Reviews ‘Austen’s Cinematic Admirer by Elsa A. Solender in JASNA News v.19, no.1, p.17 (Spring 2003)

  2. Find many great new & used options and get the best deals for Doomed Bourgeois in Love by Mark C. Henrie (2001, Trade Paperback) at the best online prices at eBay!

  3. A middle-class Princeton student finds himself adrift among the demimonde that is Manhattan during debutante season and pals around with a set of bright young things who are all too acutely aware of their status as “doomed and bourgeois.” God forbid, he falls in love with one. A sleeper hit for the then-unknown Whit Stillman, the script went on to garner an Academy-Award® nomination for ...

  4. Whit Stillman’s 1988 American comedy-drama film, The Last Days of Disco, is his third film in what he called his “Doomed-Bourgeois-in Love series.” Loosely based on his experiences in various nightclubs in Manhattan, including Studio 54.

  5. 9. Mai 2019 · Whit Stillman’s BARCELONA Thursday, May 9 2:30, 9:15 (1994) “It’s the last decade of the Cold War. Ted (Nichols) is a young, serious-minded car company executive getting over a failed affair, his recovery hardly helped when Fred (Eigman) – a brash naval officer – turns up uninvited to stay in his Barcelona flat. When Fred starts ‘borrowing’ money from his host and meddling in his ...

  6. Today on the show: a discussion with writer/actor Sean Darr about what you call what’s above the subtext, various theories on beauty, salesmanship, sexual freedom, red ants and American foreign policy, as well as Whit Stillman’s 1994 masterpiece BARCELONA starring Taylor Nichols, Chris Eigeman, Mira

  7. 15. Juli 2023 · Stillman affectionately refers to them as his "doomed bourgeois in love" series. His mordant wit and rapid-fire dialogue go hand in hand in these antiquated yet modern tales about 20-something yuppies falling in love and falling up the social ladder. Even the subject of suicide doesn’t escape Stillman’s bone-dry sense of humour and flippant ...