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  1. 16. Jan. 2018 · Full Review. 6y. Drowned in Sound. It’s clear with Violence that Editors are working to build upon their new sound instead of re-inventing and re-producing, and though their efforts of combining dark indie disco pop with more morose lyrics and guitar undertones, it is a refreshing new direction. Full Review.

  2. 9. März 2018 · Engineer [Assisted At Livingstone I] – Billy Halliday, Tom Archer. Engineer [Assisted At Monnow Valley] – Edith Philips, Ewan Vickery, Matt Glasbey. Keyboards [Additional Keyboards] – Edith Philips ( tracks: 1) Mastered By – Matt Colton. Mixed By – Alan Moulder ( tracks: 2), Cenzo Townshend ( tracks: 1, 3 to 11)

  3. 21. März 2018 · Szósty album Editors brzmi dość eklektycznie, jak na ich dotychczasowe standardy. "Violence" nosi w sobie wiele barw, w większości ciemnawych, mętnych, niejednolitych i kompozycji czasem ...

  4. Editors released their sixth album, Violence, on 9 March 2018. The lead single, 'Magazine', premiered on Jo Whiley's BBC Radio 2 show on 15 January 2018. The second single "Hallelujah (So Low)" premiered on Annie Mac's BBC Radio 1 show on 21 February 2018.

  5. 23. Sept. 2022 · Deel dit artikel. Recensie: Editors - EBM. Het prikkelendste verhaal rond de zesde Editors-plaat Violence (2018) was dat Tom Smith en consorten de productionele hulp hadden ingeroepen van Benjamin John Power alias Blanck Mass. Diens vrij radicaal vormgegeven elektronica – ook als de helft van Fuck Buttons – associeer je niet snel met de ...

  6. 16. Jan. 2018 · Violence’ est le sixième album d’Editors et fait suite à ‘In Dream’ sorti en 2015. Il est produit par Leo Abrahams ( Wild Beasts, Florence & The Machine, Frightened Rabbit ) et Editors avec l’aide de Benjamin John Power ( Blanck Mass, Fuck Buttons ) et est mixé par Cenzo Townshend , sauf pour ‘ Hallelujah (So Low) ’ où c’est l’œuvre d’ Alan Moulder .

  7. 9. März 2018 · Beyond the austere atmospherics and doleful imagery they’re known for, Editors have always had an inarguable facility for choruses huge enough to hit the outer reaches of a packed festival field. That secret sauce comes to the fore on the Birmingham five-piece’s sixth record: an enlivening comeback brimming with industrial grooves and sparkling power-pop anthems. “Cold” sets the tone ...