Suchergebnisse
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12. März 2024 · The Man Behind the Music. Many know of Aaron Copland the composer, writer, educator, and conductor, but far fewer have had the chance to know the man himself. Vivian Perlis, founding director of the Oral History Project in American Music & co-author of Copland’s autobiographies, not only takes us through the life of this great American ...
Copland and Bernstein - The Composer as Performer (1997) A Copland Celebration Vol. 3 (2000) A Copland Celebration Vol. 2 (2000) A Copland Celebration Vol. 1 (2000) Copland Conducts Copland: Appalachian Spring Ballet Sui… (2000) Something Wild [Original ...
7. Nov. 2000 · See Full Discography. A Copland Celebration Vol. 2 (2000) A Copland Celebration Vol. 1 (2000) Copland Conducts Copland: Appalachian Spring Ballet Sui… (2000) Something Wild [Original Motion Picture Soundtrack] (2003) Copland & Menotti: Piano Concertos (2012) Copland: Piano Concerto; El Salón México; Appalachian S… (2014) AllMusic Review ...
by Samuel Lipman. Though Aaron Copland has been an important figure in American serious music for more than fifty years, he remains, as Leonard Bernstein has said, “the best we have,” and his career is the very model of the success to which an American composer may aspire. His seventy-fifth birthday, recently celebrated, seems an ...
2. Dez. 1990 · Aaron Copland. Aaron Copland (November 14, 1900 – December 2, 1990) was an American composer of concert and film music. Instrumental in forging a distinctly American style of composition, he was widely known as "the dean of American composers." [ 1] Copland's music achieved a balance between modern music and American folk styles.
18. Mai 2024 · Aaron Copland (born November 14, 1900, Brooklyn, New York, U.S.—died December 2, 1990, North Tarrytown [now Sleepy Hollow], New York) was an American composer who achieved a distinctive musical characterization of American themes in an expressive modern style. Copland, the son of Russian-Jewish immigrants, was born in New York City and ...
1. März 2024 · Gramophone called Aaron Copland “a splendid advocate of his own scores”, and shortly after his death in 1990 the New York Times wrote: “Composers’ performances are not always definitive, but Copland was a fine, communicative conductor and pianist, and Columbia recorded him with first-rate orchestras and soloists. … In every way, these recordings must be regarded as the heart of the ...
