Suchergebnisse
Suchergebnisse:
Ab 1927 war er Studiomusiker, u. a. bei Roger Wolfe Kahn und Sam Lanin, und spielte kaum noch Jazz, sondern gehörte den Tanzbands von Cass Hagan, Don Voorhees und Ross Gorman an. Er war aber von 1938 bis 1943 in der Band von Paul Whiteman und 1943 in der von Benny Goodman.
21. Feb. 2020 · From 1925 to 1929 Mole was identified with bands led by cornetist Red Nichols: The Red Heads, The Hottentots, The Charleston Chasers, The Six Hottentots, The Cotton Pickers, Red and Miff's Stompers, and especially Red Nichols and His Five Pennies.
When Jack Teagarden arrived in New York in 1928, he replaced Mole as the role model for trombonists, with a more legato, blues-oriented approach. Having started working for radio in 1927 (at WOR), Mole changed his focus to working with NBC (1929–1938).
Compilation, Remastered. View credits, reviews, tracks and shop for the 1998 CD release of "Red Nichols & Miff Mole, 1925-1927" on Discogs.
Mole and Red Nichols were the leaders of a group called “Miff Mole’s Little Molers” in 1926-9. They recorded often until 1930. Jack Teagarden, who arrived in New York in 1928 as a trombonist, quickly replaced Mole. He had a more blues-oriented, legato approach and was soon regarded as the role model for trombonists.
3. Juni 2018 · This can be heard not only in the New Yorkers' recordings but on such diverse items as Charlie Creath's Market Street stomp (1925), Bennie Moten's Kansas City breakdown (1928) or in Ellington's piano work in Deacon jazz (1924).
View credits, reviews, tracks and shop for the 1988 CD release of "Great Original Performances - 1925 To 1930" on Discogs.
