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Untitled Film Stills. Untitled Film Stills consists of seventy 8×10-inch black-and-white pictures: sixty-nine taken from 1977 to 1980, plus one added later to the series. In each photograph, the artist posed as a different character inspired by female roles in films from the 1950s and 60s; film noir and B-movies, but also Italian Neorealism and the French New Wave.
In den 69 ikonenhaften Motiven der 'Untitled Film Stills' inszenierte sich die amerikanische Künstlerin Cindy Sherman zwischen 1977–1980 mit wechselnder Kleidung, Make-up und unterschiedlichsten Settings in fiktiven Situationen, die an schwarzweiß Filme der 1950er- und 1960er-Jahre erinnern.
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films ...
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films ...
Cindy Sherman’s Untitled Film Stills is a suite of seventy black-and-white photographs in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and ’60s Hollywood, film noir, B movies, and European art-house films ...
So thorough and sophisticated is Cindy Sherman’s capacity for filmic detail and nuance that many viewers (encouraged by the titles) mistakenly believe that the photographs in the series are reenactments of films. Rather, they are an unsettling yet deeply satisfying synthesis of film and narrative painting, a shrewdly composed remaking not of the "real" world but of the mediated landscape.
Untitled Film Still #21. Cindy Sherman American. 1978 Not on view Between 1977 and 1980 Sherman photographed herself in a series of sixty-seven scenarios staged to suggest the cinematic tropes of midcentury Hollywood. Here, she assumes the guise of the Hi ...
