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  1. 23. Okt. 2016 · California Split is a 1974 film directed by Robert Altman and starring Elliott Gould and George Segal as a pair of gamblers and was the first non-Cinerama fi...

    • 6 Min.
    • 2,6K
    • Admir Destani
  2. California Split (1974) -- (Movie Clip) Open, How To Play Poker Opening at an LA poker club, Robert Altman directing, roughly from a screenplay by actor and real-life gambler Joseph Walsh, we meet George Segal as Bill, Elliott Gould as Charlie, and non-actor Edward Walsh, brother of the screenwriter, as player “Lou,” in California Split, 1974, famous as the first feature shot with 8-track ...

  3. CALIFORNIA SPLIT. Bill Denny (George Segal) and Charlie Walters (Elliott Gould) are two compulsive gamblers with nothing in common except incredibly bad luck. But after a chance meeting at an LA card parlor, these twolosers find that together, they make an unbeatable team. Embarking on a once-in-a-lifetime winning streak, Bill and Charlie bet ...

  4. 7. Aug. 1974 · The most narratively loose of Robert Altman's '70s films, California Split details the haphazard lives of two compulsive gamblers searching for that ever-elusive big score. Newly single and soon-to-be-unemployed Bill (George Segal) joins live-wire pal Charlie (Elliott Gould), as the pair moves from Fruit Loops with Charlie's hooker roommates ...

  5. California Split is worth watching simply to see the extraordinary by-play between George Segal and Elliot Gould. They obviously liked working with each other, and they portray realistically idiotic and lovable louts, incapable of maintaining serious lives, relationships or jobs because the gambling gets in the way. Maybe the best-known scene in the movie is one in which these two addled and ...

    • DVD
  6. California Split ist ein Film von Regisseur Robert Altman mit George Segal, Elliott Gould, Ann Prentiss. Alle Infos, Inhalt Kritik und Trailer zu California Split jetzt bei kino&co

  7. 20. Aug. 2021 · Robert Altman’s California Split (1974) often gets unfairly lost in the shuffle with all the magnificent films he made in the early 1970s. It is an all-time great gambling film and one of the era’s better two-handers (George Segal and Elliott Gould here are sublime). I’d listen to an argument that it is superior to George Roy Hill’s The Sting from 1973 Pay attention to the opening ...