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14. Sept. 2020 · It was also well-remembered enough for Takashi Miike to revisit Fujita’s novel and make another version of the story in 2002, with his own Graveyard of Honor. Arrow Video, no strangers to the work of Fukasaku and Miike, have made the wise and welcome decision to combine the two directors’ versions of Graveyard of Honor into a cleverly titled Graveyards of Honor set.
2002: Takashi Miikes Graveyard of Honor (新・仁義の墓場, Shin jingi no hakaba) 2002: Deadly Outlaw Rekka ( 実録・安藤昇侠道伝 烈火 , Jitsuroku Andō Noboru kyōdōden: Rekka ) 2003: The Man In White ( 許されざる者 , Yurusarezaru mono )
GRAVEYARD OF HONOR Shin jingi no hakaba . Directed by. Takashi Miike. Japan, 2002. Action, Thriller, Crime. 131. Synopsis. For his fifth or sixth film of 2002 — one easily loses count — Takashi Miike adapts Kinji Fukasaku’s 1975 gangster classic Jin ...
Miike hat in bemerkenswerter Weise das filmische Bild eines Mannes geschaffen,der sich auf einem unaufhaltsamen Selbstzerstörungstrip befindet und dabei alles mit in die Hölle reißt, was ihm in den Weg kommt. Graveyard of Honor ist sicher nicht Takashi Miikes brutalster, verrücktester oder visionärster Film. Es ist sein bester Film.
26. Apr. 2010 · What makes it different from most of its forebears (including White Heat [1949], both versions of Scarface [1932, 1983], and Kinji Fukasaku's own Graveyard of Honor [1975]) is that Takashi Miike works to avoid any intimations of a narrative arc. Instead of setting up a pattern of hubris and comeuppance, Miike organizes the film as an ...
2020 saw Fantasia move entirely online for it’s first pandemic edition, which also happened to be it’s first year without a film on the program from Takashi Miike. Happily, Arrow Video had recently released its Graveyard of Honor box set to fill in the gap. Offscreen moderated a conversation with Arrow representatives as part of the festival’s panel series in which they discussed the ups ...
Takashi Miike's Graveyard of Honor is a masterpiece of restraint and maturity, gritty and dark but never overbearingly so. For any naysayers that dismiss Miike's films as just gory or exploitative schlock, I point them to this totally underappreciated gem. A catastrophic spiral into the dark and unknown; a visual and narrative representation of ...
