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  1. 1. Feb. 2012 · Der Franzose Pierre Bonnard zählt zu den Malern, denen seit Jahrzehnten ein kunsthistorisches Etikett anhaftet: Bonnard ist der Maler des Lichts - obwohl zu seiner Zeit der Impressionismus ...

  2. Pierre Bonnard was a French painter, illustrator, and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. He was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis, and his early work was strongly influenced by the work of Paul Gauguin, and the prints of Hokusai and other Japanese artists. He was a ...

  3. 7. März 2003 · The French artist, Pierre Bonnard (1867–1947), was a successful painter, draughtsman, photographer, printmaker, illustrator and interior designer, whose work continues to surprise and attract new generations of art lovers. While Bonnard is represented in public collections in Australia, including the National Gallery of Australia, the current ...

  4. 9. Okt. 2019 · Pierre Bonnard (1867–1947) in Wien stellt einen Maler der „anderen Moderne“ vor: dessen Bilder farbenfroh leuchten, dessen Kompositionen eigenwillig angeschnitten sind, dessen Farbauftrag zwischen minimalistisch reduziert und pointillistisch pastos changiert, dessen Motivwelt das traute Heim, die Ehefrau und die Landschaft der Umgebung umfasst.

  5. Pierre Bonnard often painted the familiar interiors of his residence, whether in Paris, Vernon, or Le Cannet. Here the artist presents a shimmering still life of a\dinnertime table setting in Vernon, his house near Monet’s Giverny in Normandy. His protagonists have little dialogue, clearly lost in their own thoughts. Only the family dachshund ...

  6. Pierre Bonnard. Fontenay-aux-Roses 1867 - Le Cannet/Cannes 1947 Pierre Bonnard wird am 13.10.1867 in Fontenay-aux-Roses, südwestlich von Paris, geboren. 1885-88 studiert er zunächst in Paris an der Sorbonne Jura.

  7. Pierre Bonnard was a member of the Symbolist group of painters known as Les Nabis ("prophets" or "seers"), and so subscribed to the Nabi doctrine of abandoning three-dimensional modeling in favor of flat color areas. However, although Bonnard was a member of this group, he was not interested in obscure Symbolist subject matter and was not a mystic. Instead, he was satisfied - even fascinated ...

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