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  1. Charles-Andre van Loo (Carle van Loo) Famous works. The Good Samaritian • 1723. Presentation of Jesus in the Temple • 1725. Portrait of Louis XV of France • 1728. Aeneas Carrying Anchises • 1729. Theseus Taming the Bull of Mara ...

  2. The Arts in Supplication (Les Arts Suppliants) Charles-André van Loo 1764/1764. The Frick Pittsburgh. Pittsburgh, United States. The various arts―Painting, Sculpture, Music, and Architecture ―are shown beseeching Fate not to end Madame de Pompadour’s life. Pompadour was a favorite mistress of Louis XV and an avid patron of the arts.

  3. Charles-André van Loo. Carle o Charles-André van Loo ( Niça, 15 de febrer de 1705 - París, 15 de juliol de 1765) va ser un pintor francès, germà menor Jean-Baptiste van Loo. Va abastar diversos temes en les seves pintures: religió, història, mitologia, retrats i al·legories, entre altres.

  4. 16. Sept. 2011 · File:Charles André Van Loo - Madame de Pompadour en belle jardinière - v.1754-1755.jpg; File usage on other wikis. The following other wikis use this file: Usage on fr.wikipedia.org Marie-Thérèse de La Ferté-Imbault; Usage on hy.wik ...

  5. Inspired by a true story, Invincible recounts the last 48 hours in the life of Marc-Antoine Bernier, a 14-year-old boy on a desperate quest for freedom. ‘The Three Graces’ was created in c.1765 by Charles-Andre van Loo (Carle van Loo) in Rococo style. Find more prominent pieces of allegorical painting at Wikiart.org – best visual art ...

  6. Carle atau Charles-André van Loo ( pengucapan bahasa Prancis: [ʃaʁl ɑ̃dʁe vɑ̃ lo]; 15 Februari 1705 – 15 Juli 1765) merupakan seorang pelukis Prancis, putra pelukis Louis-Abraham van Loo, adik Jean-Baptiste van Loo dan cucu Jacob van Loo. Dia adalah anggota paling terkenal dari dinasti pelukis asal Belanda.

  7. Charles-André van Loo 1734. This scene, which comes from the Gospel of Matthew, is painted in a rich Rococo palette of warm yellows, silvers, and reds. The colors serve to accentuate the drama of the moment that Christ’s resurrection from the tomb is witnessed by a Roman centurion. An angel holds the tomb open for Christ, who levitates above.