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  1. Jan 4, 2014 - Explore Heea's board "nancy spero", followed by 1,300 people on Pinterest. See more ideas about nancy spero, nancy, feminist art.

  2. Spero, Nancy: Helicopter, Pilot, Victim, Christ (Helicóptero, piloto, víctima, Cristo) ... Search and Destroy (Busca y destruye) Nancy Spero . 1977. Codex Artaud VI (Códice Artaud VI) Nancy Spero . 1971. Ver todas las obras . Cargando... Anterior Sigui ...

  3. Spero, Nancy: Search and Destroy (Busca y destruye) image/svg+xml Museo Nacional Centro de Arte Reina Sofía

  4. art21.org › artist › nancy-speroNancy Spero | Art21

    15. Mai 2024 · Nancy Spero was born in Cleveland, Ohio, in 1926. She received a BFA from the School of the Art Institute of Chicago (1949), and honorary doctorates from the School of the Art Institute of Chicago (1991) and Williams College (2001). Spero is a pioneer of feminist art. Her work since the 1960s is an unapologetic statement against the pervasive abuse of power, Western privilege, and male dominance.

  5. 27. Feb. 2019 · Nancy Spero (August 24, 1926–October 18, 2009) was a pioneering feminist artist, best known for her appropriation of images of myth and legend culled from various sources collaged with contemporary images of women. Her work is often presented in an unconventional manner, whether in the form of the codex or applied directly to the wall.

  6. www.artnet.com › artists › nancy-speroNancy Spero | Artnet

    Nancy Spero was an American painter and feminist artist. Her expressive work is characterized by its figurative interpretation of sociopolitical and cultural issues, often directly tackling racism, violence, and sexism in contemporary space. “I've always sought to express a tension in form and meaning in order to achieve a veracity,” she had said of her work. Throughout her practice, she ...

  7. 25. Okt. 2010 · Peter Soriano, who first encountered Spero’s work in 1979 when still in college and who subsequently became friendly with Spero and Golub, closely observed Spero’s printing technique. “Nancy never just stamps an image onto a surface,” he wrote. “At times the image is barely pressed onto the wall or paper, like the relaxed after-roll of a drumstick striking a drum. Her closely grouped ...