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  1. Suchergebnisse:
  1. Janus Films 215 Park Ave. South 5th Floor New York, NY 10003 booking@janusfilms.com (212) 756-8822

  2. 25. Apr. 2024 · Tightrope Walker / Stranger in These Dark Times by The goalie's anxiety at the penalty kick, released 25 April 2024 got me pacing like a tightrope walker always looking up at a critical moment fall under until we think there’s a warning i lean forward you, on the other hand, are safe behind a wall looking over, watching for the drop and all at once and all that I had you’d say that i began ...

  3. Wim Wenders' restored and remastered 1972 classic The Goalie's Anxiety at the Penalty Kick is a Hitchcockian existential thriller adapted from the novella by Peter Handke. The goalkeeper Josef Bloch is sent off after committing a foul during an away game. Aimlessly wandering through the unfamiliar town, he spends the night with a stranger and commits a crime.

  4. 25. Apr. 2024 · First Time by The goalie's anxiety at the penalty kick, released 25 April 2024 on the seventeenth how long has it been since we spoke? hope that someone calls to make sure that your power’s still on got a tambourine the skin on my hands will be raw before this is done i’m just checking in, making sure you didn’t leave the water on on your ...

  5. concerning the nature of language and perception. The Goalie's Anxiety. illustrates to a great degree the fundamental paradigm that consti- tutes the continuity of Handke's fiction: the estrangement of the self from the other and the attempt to transcend this alienation through the creative use of language.

  6. and even a full-length feature film (screened at the Cannes Film Festival), Die linkshindige Frau (The Left-Handed Woman), that he wrote and directed. A number of these texts have been translated into English, including the novel version of The Left-Handed Woman that was originally published in the New Yorker Magazine.' Reviews of his

  7. 12. Juni 2018 · With the director’s debut film The Goalie's Anxiety at the Penalty Kick, from 1971, the issue was the soundtrack: Wenders’s extensive use of American rock/pop material – much of it played from his beloved jukeboxes – had been cleared only for German distribution, which made the film effectively unavailable internationally for almost 45 years.