Suchergebnisse
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Neoclassical architecture in Poland. Neoclassical architecture in Poland was centered on Warsaw under the reign of Stanisław August Poniatowski, while the modern concept of a single capital city was to some extent inapplicable in the decentralized Polish–Lithuanian Commonwealth. [1] [2] [3] Classicism came to Poland in the 18th century as ...
Eugène Delacroix, Death of Sardanapalus, 1827, taking its Orientalist subject from a play by Lord Byron. Philipp Otto Runge, The Morning, 1808. Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century.
Apollo (originally Apollon musagète and variously known as Apollo musagetes, Apolo Musageta, and Apollo, Leader of the Muses) is a neoclassical ballet in two tableaux composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto.
The Baroque ( UK: / bəˈrɒk / bə-ROK, US: /- ˈroʊk / -ROHK; French: [baʁɔk]) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1] It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as ...
Origins of neoclassical architecture. Neoclassicism in architecture was the result of renewed interest in the architectural forms of Greco-Roman antiquity discovered in the excavation of sites such as Pompeii and Herculaneum in the 18th century. Its spread in Europe was driven by: visits to Italy by many young artists and architects.
Neoclassical ballet is the style of 20th-century classical ballet exemplified by the works of George Balanchine. The term "neoclassical ballet" appears in the 1920s with Sergei Diaghilev 's Ballets Russes, in response to the excesses of romanticism and post-romantic modernism. [1] It draws on the advanced technique of 19th-century Russian ...
Neoclassicism is now seen to have achieved a purity of expression, however, and would have been referred to by its practitioners as the 'true' or 'correct' style. It was based on the study of antique art, which was to be imitated but not slavishly copied, and thus embody what were perceived to be the general and permanent principles of the visual arts as formulated by the ancients. Its first ...
