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  1. Selbstporträt, 1886. William Adolphe Bouguereau [ vijɑ̃ adɔlf buɡø'ʁo] (auch Adolphe-William Bouguereau; * 30. November 1825 in La Rochelle ( Département Charente-Maritime ); † 19. August 1905 ebenda) war ein französischer Maler des 19. Jahrhunderts und gilt als Meister des Akademischen Klassizismus und des Klassischen Realismus .

  2. www.penninghen.com › school › historyHistory | Penninghen

    History. The prestigious “Académie Julian” was established in 1868 by Rodolphe Julian as a private studio school for art students, preparing them for the entrance exams of the renowned “École des Beaux-Arts” (School of Fine Arts) and also offering them independent training in arts. Many international students came to study here, in ...

  3. 1. Feb. 2000 · The Académie was founded in 1868 by the artist Rodolphe Julian, and was the only art school in Paris to offer women the same training as men. Other art schools for women existed but were largely ...

  4. List of faculty and alumni of the Académie Julian. Académie Julian. Rodolphe Julian (1839–1907) Founder. This list includes notable professors and students of the Académie Julian, a private art school in Paris founded by Rodolphe Julian [1] [2] that was active from 1867 to 1968. [3]

  5. Essays by Catherine Fehrer, the leading scholar of the Académie Julian, and Tamar Garb, an art historian who focuses on the training of women artists, give us a richer understanding of the Académie Julian's place in the sphere of art education in late nineteenth-century Paris. Generously illustrated with both color and black-and-white images ...

  6. The prestigious “Académie Julian” was established in 1868 by Rodolphe Julian as a private studio school for art students, preparing them for the entrance exams of the renowned “École des Beaux-Arts” (School of Fine Arts) and also offering them independent training in arts. Many international students came to study here, in particular Americans and Europeans, who wanted to

  7. In principle the Académie’s role was to prepare students who wished to try for entry into the state’s prestigious École des Beaux Arts, yet since women’s entry into the École des Beaux Arts was refused until 1897, one might wonder why Julian decided to offer women artists such preparatory training as early as he did.