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An earlier version of I Belong to a World That’s Destroying Itself was released as Revenge by Polydor in 1971 — the same year as her classic I'm the One on RCA, which is usually regarded as her debut. The former album was credited to the Bley–Peacock Synthesizer Show. Her then–husband Paul Bley got top billing, despite the fact he played on only half the record. Peacock's Ironic label ...
Bley-Peacock Synthesizer Show: Revenge – The Bigger the Love the Greater the Hate (Polydor, 1968; Reissue auf ironic, 2014 unter ihrem Namen als I Belong to a World That’s Destroying Itself) Annette & Paul Bley: Dual Unity (Freedom, 1971) Annette & Paul Bley: Improvisie (America, 1972)
referencing I Belong To A World That's Destroying Itself. Aka Revenge (LP, Album, Reissue) ironic US3. Anyone care to speak to sound quality here relative to original? Feel like there’s gossip surrounding this re-issue… Anyway mine sounds ok. Never h ...
14. Mai 2021 · View credits, reviews, tracks and shop for the 2021 CD release of "The Perfect Release" on Discogs.
Recorded live by Annette Peacock and Paul Bley on the 6 April 1969, 2 June 1969 and 3 November 1969 at the Philharmonic Hall, Lincoln Center except "Mr. Joy" and "I Belong To A World That's Destroying Itself" which were recorded at Century Sound Studios. The live tracks were mixed by David Baker and Paul Berkowitz, the studio tracks were mixed ...
Genre: Experimental. Out of stock. * 2021 Stock * Ironic Records presents I Belong To A World That's Destroying Itself (Aka Revenge) by Annette Peacock. Recorded simultaneously live at various studios in New York, 1968. Annette Peacock gets it right again. In the lyric booklet here she writes "This is my first record.
She had also formed a band called I Belong to a World that's Destroying Itself, which in 1987 had toured Europe. Peacock also performed with composer Karlheinz Stockhausen. But, during the 1990s, Peacock was surprisingly absent from the music scene, despite her growing reputation. Paul Bley, Franz Koglmann, Gary Peacock recorded some of her early compositions on
