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  1. Schnelle Lieferung, ab 30 € versandkostenfrei & zuverlässiger Service für Sie. Von Chorgesängen bis Violinkonzert: Entdecken Sie die Auswahl klassischer Musik bei Thalia

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  1. Don Quixote, Op. 35 is a tone poem by Richard Strauss for cello, viola, and orchestra. Subtitled Phantastische Variationen über ein Thema ritterlichen Charakters ( Fantastic Variations on a Theme of Knightly Character ), the work is based on the novel Don Quixote de la Mancha by Miguel de Cervantes. Strauss composed this work in Munich in 1897.

  2. Born in Munich in 1864, Strauss was the son of Franz Joseph Strauss, the principal hornist in the Munich Court Orchestra. Strauss demonstrated musical aptitude at an early age, and extensive training in piano, violin, theory, harmony, and orchestration equipped him to produce music of extraordinary polish and maturity by the time he reached ...

  3. Also, why Reiner conducts the Strauss's Tone poems the way he does; and Strauss actually conducting Strauss. I have just Reviewed, March 2015, Richard Strauss Gala, Staatskapelle Dresden, conducted by Christian Thielemann.The singers are Christine Goerke, Anja Harteros, and Camilla Nylund. Recorded live June 2014. Excerpts from nine of the 15 ...

  4. These are Eugene Ormandy’s Columbia Masterworks stereo recordings of the orchestral music of Richard Strauss, made with the Philadelphia Orchestra between 1959 and 1966. All the major works except Alpine Symphony, Symphonia Domestica and Metamorphosen. Ormandy and the orchestra re-recorded nearly everything for RCA between 1972 and 1978.

  5. 4. Okt. 2016 · The other major orchestral release here features the Richard Strauss recordings conducted for Sony Classical by Zubin Mehta. ClassicsToday.com’s reviewer observed that “Mehta always has been an excellent Straussian”. The new 8-CD box includes major tone poems, the horn concertos, opera excerpts both orchestral and vocal – with soprano ...

  6. Richard Georg Strauss (* 11. Juni 1864 in München; † 8. September 1949 in Garmisch-Partenkirchen) war ein deutscher Komponist des späten 19. und frühen 20. Jahrhunderts, der vor allem für seine orchestrale Programmmusik ( Tondichtungen ), sein Liedschaffen und seine Opern bekannt wurde. Er wird somit zu den Komponisten der Spätromantik ...

  7. Richard Strauss’s music epitomises late-Romantic lushness and fin de siècle poignancy in a language rooted in tonality: an aching harmonic undertow pulling at surging waves of sound in a way that mirrors the end-of-an-era tussle between 19th-century opulence and 20th-century realism. That tussle, though, contributes to our enduring fascination with Strauss, and to his continued relevance as ...