Suchergebnisse
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Jane Alexander’s hybrid mutants speak to the porous borders between humans and other forms of animal life. Alexander acts as a surveyor mapping the forces, interests, and passions at play in human behavior. Her sculptures, installations, and photomontages are firmly rooted in her South African experience. They also transcend their locality, revealing the disparity felt every day around the ...
23. Sept. 2021 · Actress Jane Alexander, 81, is up for a Tony Award for her performance in “Grand Horizons” as an older woman in search of a fresh start. (Melissa Bunni Elian/For The Washington Post)
Die südafrikanische Künstlerin Jane Alexander, 1959 in Johannesburg geboren, ist mit dem hoch dotierten DaimlerChrysler Award for South African Sculpture 2002 ausgezeichnet worden. »Jane Alexander gibt der Fragilität einer multikulturellen Gesellschaft Gestalt (...). Die Skulpturen fragen nicht nach Anerkennung und exi
Jane Alexander (born 1959) [1] is one of the most celebrated artists in South Africa. [2] [3] She is a female artist best known for her sculpture, The Butcher Boys. She works in sculpture, photomontages, photography and video. Alexander is interested in human behavior, conflicts in history, cultural memories of abuse and the lack of global ...
14. Jan. 2005 · Die 1959 in Johannesburg geborene Jane Alexander, die bereits zahlreiche renommierte Auszeichnungen erhielt (darunter 2002 den Daimler Chrysler Award) begann ihre künstlerische Arbeit mit grauen Hybriden: nackte Menschenkörper mit Tierköpfen, Hörnern und tiefen, haarüberwachsenen Narben auf Brust und Rücken. Schon damals verarbeitete sie Fundstücke aus den verschiedenen Kulturen und ...
23. Feb. 2020 · So Jane Alexander might not immediately come to mind for a comedy. But this 80-year-old actress is eliciting raucous laughter at the Helen Hayes Theater in Bess Wohl’s new play — and Broadway ...
Jane Alexander is one of the most important contemporary artists working in South Africa to have received international recognition. Born in Johannesburg in 1959, her figurative sculptures, installations, tableaux and photomontages are informed by the experience of growing up under apartheid1 and can be read as a response to that political and social environment and what followed in relation ...
