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Royal Collection, 1642. The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly ...
24. Feb. 2019 · Rembrandt used the light and shadow effect of chiaroscuro but used paint more sparingly than during his later years. The middle years of the 1630s and1640s show Rembrandt feeling confident and successful, dressed up in some portraits, and posed similarly to some of the classical painters, like Titian and Raphael, whom he greatly admired. The ...
Rembrandt never went abroad, but he voraciously surveyed the work of Northern artists who had lived in Italy, like Lastman, the Utrecht painter Gerrit van Honthorst (Rembrandt’s main link to Caravaggio), Anthony van Dyck, and—mostly through prints—Adam Elsheimer and Peter Paul Rubens. In the Leiden period, Rembrandt also responded ...
12. Aug. 2021 · Rembrandt’s Self Portrait, 1628 captures a young man on the brink of adulthood at 23 years old, with youthful plump skin and wild, unruly hair. Dramatic backlighting casts his face into obscuring shadow, as highlights catch the tip of his nose and wisps of his hair, demonstrating the artist’s early fascination with chiaroscuro modelling effects that would play out in his most famous large ...
Rembrandt was a dedicated self-portraitist all his life, and roughly forty self-portraits by him survive today. In this example, painted when Rembrandt was fifty-four, the artist was unsparing in depicting the signs of aging in his own face, building up the paint in high relief to convey his furrowed brow, the heavy pouches beneath his eyes, and his double chin.
Vor 6 Tagen · Rembrandt (born July 15, 1606, Leiden, Netherlands—died October 4, 1669, Amsterdam) was a Dutch Baroque painter and printmaker, one of the greatest storytellers in the history of art, possessing an exceptional ability to render people in their various moods and dramatic guises. Rembrandt is also known as a painter of light and shade and as an ...
Rembrandt or pupil. The painting is covered by a layer of yellowed varnish. The Prophetess Anna in the Temple. 1650 or c. 1646. Oil on panel. 40.5 x 31.5. National Gallery of Scotland, Edinburgh. 210. The painting is covered by a layer of yellowed varnish.
