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  1. frwiki Gōzō Yoshimasu; huwiki Josimaszu Góz ó; itwiki Gōzō Yoshimasu; jawiki 吉増剛造; ptwiki Gozo Yoshimasu; ruwiki Ёсимасу, Годзо; Wikibooks (0 entries) edit. Wikinews (0 entries) edit. Wikiquote (0 entries) edit. Wikisource (0 ent ...

  2. This article appears in the columns section of frieze 235, based on the theme 'Time Warp'. Yoshimasu Gozo opens his little-known but noteworthy essay, ‘Araki, Set Up at a Temple Gate’ (2016), as follows: ‘Adjusting my eyes, I tried to set up these pages in a hazy, liminal zone, where they might have been copied, transferred, projected, moved (utsusu) 1 from the other side (ura), or ...

  3. Gozo Yoshimasu (b. 1939, Japan) Gozo Yoshimasuis a pioneer of unexplored linguistic landscapes in modern Japanese poetry. Repetitions, references, talking in many voices, interruptions, subscripts, blank lines and marginal notes introduce intentional disruptions in his work, and at the same time, highlight the effect and visual representation of the Japanese language.

  4. Yoshimasu Gozo. Yoshimasu Gozo is a Japanese poet, photographer, artist, and filmmaker. He is the author of Alice Iris Red Horse: Selected Poems of Yoshimasu Gozo (New Directions Publishing, 2016), which was translated from the Japanese by Jeffrey Angles, Sawako Nakayasu, Hiroaki Sato, and others. He is the recipient of numerous awards ...

  5. Yoshimasu breaks away from linear pseudorealism to offer a range of alternative voices and models which challenge our postmodernist passivity--"souls running/running genealogy of a scream/this hell/I confess precisely/from Shinjuku to Kanda/when this paper touches air it burns." "It cuts suddenly like a searchlight, which, turning, reveals some of pride-hungry postwar Japan's most seductive ...

  6. Stay up to date with Gôzô Yoshimasu (Japanese, 1939) . Discover works for sale, auction results, market data, news and exhibitions on MutualArt.

  7. www.artforum.com › events › gozo-yoshimasu-250855Gozo Yoshimasu - Artforum

    Furthermore, Yoshimasu has performed his poems abroad, letting the audience experience his reading as a purely acoustic phenomenon, further blurring the border between meaning and sensation. Amid constant interruptions, hesitations, and sometimes violent erasures, one could almost sense the letters panting, frustrated by their inability to come together as fully formed sentences or resolved ...